Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
Villa Hegra will connect two fundamental elements of AlUla's landscape, the urban plot and the oasis. (Supplied)
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Updated 01 August 2024
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Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 

Villa Hegra celebrates a year of cultural exchange in the heart of AlUla 
  • The CEO of the Saudi-French cultural hub discusses its achievements so far and plans for the future 

DUBAI: The Saudi-French cultural institution Villa Hegra — intended as “an incubator for artists and creators” — celebrated the first anniversary of its pre-opening program in July. It has been a year marked by a wide range of cultural activities and concerts, artistic retreats and research programs in the heart of AlUla as part of Villa Hegra’s first pre-opening cycle, which runs until the end of this year.  

Villa Hegra was officially established in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah Al-Saud and Jean-Yves Le Drian, then-French minister of foreign affairs, now president of AfAlula (the French Agency for AlUla Development). One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France. 




Artists from the Opera National de Paris met with students of the AlUla Music Hub, as part of the Villa’s recent partnership with the opera. (Supplied)

“It is not a private initiative. It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level,” Fériel Fodil, CEO of Villa Hegra, told Arab News’ French edition. “The villa will be a cluster of three assets: the cultural center, where the artist residencies will take place, and which will include a school for tourism and hospitality (Firendi AlUla); an apartment hotel with 80 rooms; and the villa itself.” 

The ultimate aim is to foster dialogue between both international and regional artists, local communities, and the oasis of AlUla. 

“When I think about architects, I go back to their ethos around working with nature rather than against it. When I think about the villa, I want to build humble yet impactful programs (for it),” Fodil said. “Architects in Alula add, complete, and transform. They build around trees to preserve the oasis.” 




American-Saudi artist Sarah Brahim and French artist Ugo Schiavi were the first of Villa Hegra's artists to travel to AlUla in July 2023, as part of the Villa's first preopening cycle. (Supplied)

Villa Hegra will be home to spaces for the performing arts, dancing, research, a digital studio, visual arts exhibitions, and yoga and fitness. It will also host artist residencies. The cultural center and the artist residencies are scheduled to launch towards the end of 2026, following the year-long second cycle of the pre-opening program. The hotel and Firendi AlUla should open in 2027.  

Part of Villa Hegra will also be dedicated to a regeneration of the town’s oasis, and the 10-hectare site itself will connect two fundamental elements of AlUla's landscape: the urban and the natural.  

“We are not (an add-on), we are rooted within the town,” said Fodil. “It is a very dense plot, and then very scattered in the oasis part. That (design) is going back to the heritage of AlUla where you have a winter farm and a ‘rihla’ — or journey — between the winter farm and the summer farm.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Villa Hegra has already initiated research into the cultural and socio-economic impact of cultural activations by the Royal Commission for AlUla on the local community. “The cultural center’s main objective is to engage with the community. We are working on the cultural program to reach the villa’s local and international ambition equally,” Fodil said. 

“We are trying to have a number of pre-opening programs — exhibitions for artist residencies, and public outreach activities, around podcasts, publications, and cinema,” she continued. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

Naturally, French culture will play a major role. Following a successful concert organized by Villa Hegra at Maraya Concert Hall in January, the Opéra national de Paris will be back in AlUla to perform and to hold further workshops. The villa’s partnership with the Opéra national de Paris is in line with the Kingdom’s cultural ambitions, with the Royal Diriyah Opera House set to open in 2028. 

And over the past year, Villa Hegra has partnered with several leading French institutions to offer unique cultural initiatives, enrich AlUla’s cultural landscape, and facilitate the exchange of knowledge between Saudi Arabia and France. More than 20 French and Saudi artists have been collaborating and sharing knowledge at the villa, and more than 300 children and teenagers from the local community have participated in multidisciplinary workshops. There have also been talks given by experts in the fields of music, cinema, visual arts, architecture and the performing arts. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Villa Hegra (@villahegra)

As part of its second pre-opening cycle, along with the performance from the Opéra national de Paris, the villa will also host a science and arts workshop for children and teenagers, and a week of initiation into moviemaking and the history of cinema. 

The distinctiveness of the villa lies in its duality — Saudi and French, urban and oasis, open to children and adults, and with a local and international outreach. 

Partnerships are essential to the cultural identity of Villa Hegra. Whether through student exchange programs, research, or live events, the objective is to build momentum around art in the region. 

“We are also trying to find partners from the Saudi side, such as Hayy Jameel in Jeddah,” Fodil said. “We are looking for partnerships that have a look and feel of dialogue and have a training component to them, while bringing the best of both French and Saudi expertise.” 


Steps to serenity: The rise of active meditation in Saudi Arabia

Steps to serenity: The rise of active meditation in Saudi Arabia
Updated 06 April 2025
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Steps to serenity: The rise of active meditation in Saudi Arabia

Steps to serenity: The rise of active meditation in Saudi Arabia
  • The rise in popularity of active meditation is down to inviting people to engage their bodies and minds in dynamic ways
  • Walking is one of the most popular acts in active meditation, with the slow, deliberate movements having an impact on those practicing i

RIYADH: A fresh wave of tranquility is sweeping through Saudi Arabia as locals embrace a global trend known as active meditation.

While some still turn to practices like yoga for inner peace, this modern twist — blending mindfulness with movement — is now making its mark in the Kingdom.

Laila Al-Marshad, a local who has included active meditation in her routine since last year, told Arab News: “I enjoy walking in nature or around my neighborhood for at least an hour each day. It’s incredibly beneficial for both the mind and soul.”

She added that dancing is also a popular choice and explained that any hobby a person enjoys can be a form of active meditation.

“I love fitness dancing because it allows me to let go, feel the rhythm, and fully be in the moment,” said Hanan Al-Harbi. “The combination of movement and music lifts my mood and gives me a sense of freedom.”

The rise in popularity of active meditation is down to inviting people to engage their bodies and minds in dynamic ways.

For some people this type of meditation is easier and more enjoyable because they find it challenging to sit still and quiet for traditional meditation.

Saudi woman Lamia Saad, who has taken up walking as active meditation, said: “I used to do yoga at a center near my house, but it was very difficult to keep silent. I kept thinking about work and my son every time I was at the class and I couldn’t focus at all.”

Walking is one of the most popular acts in active meditation, with the slow, deliberate movements having an impact on those practicing it.

People who go for walks usually consider it a form of stress relief and a break from their busy lifestyle.

But people walking slowly pay more attention to their steps and the rhythm of their breath, which may provide an opportunity to breathe slowly and reflect on thoughts and mindset.

Gardening is also a wonderful example of active meditation. In various East Asian cultures, elderly members of the community prefer this type of active meditation because it requires minimum effort, with lots of patience and hours spent in the garden.

The active meditation trend is helping locals engage with their bodies while reducing stress and minimizing anxiety.

It presents an opportunity to explore the connection between the body and mind through movement.
 


Sotheby’s to auction rare collection of Islamic arms, armor

Sotheby’s to auction rare collection of Islamic arms, armor
Updated 05 April 2025
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Sotheby’s to auction rare collection of Islamic arms, armor

Sotheby’s to auction rare collection of Islamic arms, armor

DUBAI: On Apr. 29 and 30, Sotheby’s will auction pieces from the Philippe Missillier Collection of Arms and Armor, one of the most important and rarest collections of its kind to come to auction.

The collection, which spans over 100 lots representing more than 500 years of history, features unique and iconic pieces from the Ottoman, Safavid and Mughal Empires. Before the auction, the collection will be exhibited at Sotheby’s Dubai in DIFC from April 7-11 and April 25-28.

It was assembled by Philippe Gilles Rene Missillier (1949-2022), a scholar and collector who spent more than 50 years studying, acquiring, visiting museums and documenting artifacts to master the subject of his interest: Arms of the Islamic world.

In 1988, a large majority of his collection was exhibited in Paris in the exhibition Splendour des Armes Orientales (The Splendor of Oriental Armor), marking the largest exhibition of its kind over the course of the 20th and 21st centuries. The Sotheby’s sale marks the first time his collection is being seen since then.

“This is a landmark sale,” Benedict Carter, Sotheby’s senior director and head of auction sales, Middle East, told Arab News. “For us, this is really the most significant sale in terms of Islamic arms and armor that has been staged.”

A Mughal jade-hilted dagger in the form of a horse, India, 18th century. (Supplied)

Highlights from the collection include weaponry across various Islamic dynasties from Spain to Indonesia, with the star of the auction one of a small group of personal swords belonging to Mughal emperor Shah Jahan, whose reign from 1629-58 marked a period of importance for Mughal architecture and cultural achievements. The sword carries the inscriptions “World-Capturer,” in an affirmation of Shah Jahan’s skills as a military commander. The sword is recorded in the accounts of Venetian traveler Niccolao Manucci, who documented the personal swords of Shah Jahan’s son, Aurangzeb, who most likely inherited it from his father.

The sword’s provenance is fascinating. It entered various prestigious collections during the 19th and 20th centuries, including those of Charles Canning, governor-general and first viceroy of India, and most recently that of George Henry Hubert Lascelles, 7th Earl of Harewood.

Neither Sotheby’s nor Christie’s has staged a standalone sale for arms and armor in about two decades, making the sale significant.

“Occasionally, in our various owner sales every April and October we have (arms and armor) pieces that have come up,” added Carter. “But this is the first time in recent memory that we’ve had a major single owner collection associated with a name that is synonymous with refined taste and deep scholarship.”


Imaan Hammam talks 'incredible time' in new campaign

Imaan Hammam talks 'incredible time' in new campaign
Updated 05 April 2025
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Imaan Hammam talks 'incredible time' in new campaign

Imaan Hammam talks 'incredible time' in new campaign

DUBAI: Dutch-Moroccan-Egyptian model Imaan Hammam took to Instagram to highlight Gap Studio’s inaugural campaign, in which she stars alongside US models Alex Consani and Anok Yai.

Gap Studio is a new high-end segment from the US retailer. Created by Zac Posen, Gap Inc.’s executive vice president and creative director, Collection 01 reflects Posen’s signature approach to tailoring and draping while reimagining Gap’s core textiles such as denim and poplin.

“Had the most incredible time bringing @zacposen’s designs to life for #GapStudio with @anokyai and @alexconsani,” Hammam captioned the post, featuring a behind-the-scenes look at the shoot.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Imaan Hammam (@imaanhammam)

Key pieces in the collection include the twill tailored trench coat, double-breasted blazer, high-rise sailor pant and poplin maxi shirtdress.

Earlier this year, Hammam took to Instagram to announce the launch of her new archival project, Ayni, which will highlight significant contributions to Arab film, art, music and literature.

“Meet Ayni (@ayni.vault), an archive dedicated to the preservation and promotion of Arab artistic expression through ‘my eyes,’” Hammam captioned the post on Instagram.

“Follow along as I highlight some of the most significant contributions to Arab film, art, music, and literature — both old and new — and celebrate the talented artists behind them. This project holds such a special place in my heart, and I hope you enjoy it just as much as I enjoy curating it.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Gap (@gap)

Late last year, the model made waves when she delivered the opening remarks at the highly regarded Fashion Trust Arabia Awards’ sixth event, in Marrakech, Morocco.

The 28-year-old went on stage in a black kaftan from Moroccan designer Selma Benomar. The heavily embroidered look highlighted Moroccan artistry and design, and paid tribute to the country’s royal family.

“So honored to open this year’s @fashiontrustarabia Awards here in the motherland,” Hamman said on Instagram. “Celebrating Arab artistry in the place where my roots run deep made this experience truly special. Proud to uplift the creativity that makes our culture unique. A special thank you to @selma_benomar_caftan for designing this gorgeous Moroccan custom-made caftan.”

Although Hammam was born and raised in Amsterdam, her mother is from Morocco and she visits the country frequently.

Hammam is one of the most in-demand models in the industry. She was scouted in Amsterdam’s Centraal Station before making her catwalk debut in 2013 by walking in Jean Paul Gaultier’s couture show.  


Spider-Man actor Andrew Garfield to attend MEFCC Abu Dhabi

Spider-Man actor Andrew Garfield to attend MEFCC Abu Dhabi
Updated 05 April 2025
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Spider-Man actor Andrew Garfield to attend MEFCC Abu Dhabi

Spider-Man actor Andrew Garfield to attend MEFCC Abu Dhabi

DUBAI: British American actor Andrew Garfield, known for playing Spider-Man, will appear at this year’s Middle East Film & Comic Con.

The three-day event will take place from April 18-20 at the Abu Dhabi National Exhibition Center.

The actor will join a list of celebrities that includes Charlie Cox and Vincent D’Onofrio from Marvel’s “Daredevil: Born Again,” “Star Wars” actor Ian McDiarmid, famous for portraying Emperor Palpatine in the space saga; and “Stranger Things” star Natalia Dyer.

Also joining the line-up are Grant Gustin, otherwise known as Barry Allen / The Flash, and Emily Rudd, the navigator of Netflix’s record-smashing, live-action show “One Piece.”

The stars are expected to take part in a panel discussion and will be available for autograph sessions.

Japanese voice actors Kotono Mitsuishi, Daiki Yamashita, Hideo Ishikawa and Kentaro Ito, and US voice actress Colleen O'Shaughnessey, will also attend.


Highlights from Art Week Riyadh: Selected works by some of the Saudi artists participating in the inaugural edition

Highlights from Art Week Riyadh: Selected works by some of the Saudi artists participating in the inaugural edition
Updated 04 April 2025
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Highlights from Art Week Riyadh: Selected works by some of the Saudi artists participating in the inaugural edition

Highlights from Art Week Riyadh: Selected works by some of the Saudi artists participating in the inaugural edition

RIYADH: Selected works by some of the Saudi artists participating in the inaugural edition of Art Week Riyadh, which begins April 6. 

Maha Malluh 

‘X-Rayed 1’ 

The Najd-born artist is one of the most significant figures in the Kingdom’s contemporary scene. Several of her works will be on show at AWR. This one comes from her “X-Rayed” series, in which Malluh used images from an actual x-ray scanner of an actual passenger’s luggage, as would be seen at airport security when possessions are “being targeted and scrutinized,” the artist has written. “What makes these images even more peculiar is that the suitcases contain cassettes (labeled in Arabic) that are linked to dogmatic interpretations of Islamic practice,” she continued. “It is these ideas, when exported, which have led to several social evils, including the export of extreme thinking and rigid philosophy.” Like many of Malluh’s other series, “X-Rayed” examines “my own culture and its transformation from tradition to modernity.” 

 

Lulwah Al-Homoud 

From ‘The Language of Existence’ 

This work forms part of the influential Riyadh-born artist and calligrapher’s “The Language of Existence” series, in which she presented interpretations of the myriad Arabic names of Allah. According to her gallery, it “reimagines language as a universal visual system, transcending conventional meaning to create a new form of communication.” Al-Homoud created this ‘language’ by “deconstructing the letters of the Arabic language by using mathematical squares to compose new codes for each letter. With these codes, I inscribe the 99 names of God,” she has written. “The first step towards enlightenment is to search for the inner. It is this inner truth that leads to the light of knowledge. My art is concerned with the inner veracity of everything. It is a deep look at creation and its hidden rules that led me to the truth of existence…” 

 

Ahmed Mater 

‘Hulm’ (Dream) 

In his 2011 work “Cowboy Code II,” Ahmed Mater used plastic gun powder caps glued onto a wooden board to spell out, in English, the various ‘rules’ he had imagined. In this more recent work, Mater uses the same technique to present the Arabic word hulm, which translates to ‘dream.’ Whether that’s an instruction, a comment on what visitors to Riyadh can experience, or an explanation of his inspiration for the piece is unclear, but it’s one of a number of similar works the 45-year-old Tabuk native — arguably the most influential Saudi contemporary artist — will be presenting at AWR (others include “Hurriya” (Freedom) and “Salam” (Peace)).  

 

Manal AlDowayan 

‘Totem 1 (Dearest Women)’ 

The prolific Dhahran-born artist represented the Kingdom at the Venice Biennale last year (with “Shifting Sands: A Battle Song) and, unsurprisingly, is participating in perhaps the most significant arts event yet to take place in the Kingdom. Among several of her works on display at AWR is this piece from 2018, which AlDowayan has described as “an attempt at creating a permanent memorial of a fragmented moment.”  

She continued: “I look at the symbols used on the covers of books written by the religious men to address women and their bodies. I attempt to reform the symbols into new representations so that the invisible becomes visible.” The work is not, she stressed, “an attempt to critique or analyze history, but more of a totem of healing to help resolve the past in order to engage with the present, and time in general.” 

 

Bashaer Hawsawi 

‘Warm Space 1’ 

Much of the Jeddah-based visual artist’s practice revolves around found objects and mixed media, exploring, according to theartists.net “notions of cultural identity, cleansing, belonging and nostalgia.” Cleansing is the focus of this piece, which — like several other works by Hawsawi — uses the red-bristled broom heads familiar to anyone living in the Gulf and indicative of the remembered daily routines from which Hawsawi draws inspiration for much of her work. Cleansing also carries a spiritual symbolism — the purification of the self — that features regularly in Hawsawi’s work.