‘At The Edge’: Sharp curatorial vision shines in flagship show at first Art Week Riyadh

‘At The Edge’: Sharp curatorial vision shines in flagship show at first Art Week Riyadh
Artist Nefeli Papadimouli’s work at ‘At The Edge’ at Art Week Riyadh. (AN Photo/Huda Bashatah)
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Updated 10 April 2025
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‘At The Edge’: Sharp curatorial vision shines in flagship show at first Art Week Riyadh

‘At The Edge’: Sharp curatorial vision shines in flagship show at first Art Week Riyadh

RIYADH: As the inaugural Art Week Riyadh unfolds across the city, it signals more than just a new entry on the cultural calendar — it marks a shift in how contemporary art is being framed, experienced, and contextualized in the Kingdom. Running until Apr. 13, the weeklong event resists the format of the conventional art fair, instead offering an expansive experience that speaks to Saudi Arabia’s evolving cultural identity.

The flagship exhibition of the event, “At The Edge,” brings together over 30 galleries from Saudi Arabia and beyond. Their curated presentations do not merely showcase work — they provoke dialogue, challenge assumptions, and reflect the complex, often contrasting, cultural currents that define both the local and global contemporary art landscapes.




Artist Joud Fahmy’s piece at the exhibition. (AN Photo/Huda Bashatah) 

The full art exhibition, organized by the Visual Arts Commission, has been curated by Vittoria Matarrese, along with associate curators Basma Harasani and Victoria Gandit-Lelandais.

Upon entering the dedicated space at JAX district in Diriyah, one of the first major pieces you will encounter is “Le grand miroir du monde” (2017) by French-Algerian artist Kader Attia. Presented in collaboration with Galleria Continua, it marks Attia’s first time exhibiting the work in the Kingdom.

Attia, whose multidisciplinary practice spans installation, sculpture, photography and video, draws on his dual heritage to explore the lasting impact of colonialism. His work confronts historical and contemporary trauma by examining cultural identity, collective memory and the process of repair — both physical and symbolic.




Artist Mohammad Alfaraj with his work. (AN Photo/Huda Bashatah)

The site-specific installation features fragmented mirrors, layered atop each other, forming a grand, almost puddle-like surface of shards. It reflects the ceiling, the light — and even the viewer. Meant to be seen from a slightly elevated vantage point, the work occupies a large space, reminiscent of a shattered ice-skating rink, gliding — and guiding — visitors into the rest of the exhibition.

This leads into an organic labyrinth of treasures, each work nestled in a contained place yet arranged to be in dialogue with its neighbors. Artists, works, moods, materials and voices from across generations and more than 25 countries interact.

Joud Fahmy’s “Trapped Emotions: Nostalgia” (2025) — a tactile piece made of dyed wool and rope intertwined with metal — strikes a powerful emotional chord. Fahmy, a Saudi artist represented by Hunna Art, often explores gender, family and cultural identity through mixed media and audiovisual installations.




Work by artist Mohammad Alfaraj. (AN Photo/Huda Bashatah)

Another notable work is “Dream Coat” (2024) by Greek artist Nefeli Papadimouli, composed of cotton garments and a wooden structure. Based in Paris, Papadimouli blends sculpture, drawing, performance and participatory action. Often working with fabric and soft materials, her architectural, abstract forms echo the visual language of the late Etel Adnan. Her work reflects on how we move through and shape shared environments, investigating belonging, intimacy and collective memory.

Riyadh-based artist Maisa Sheldan, who also maintains a studio at JAX, presents a standout installation. A Saudi artist of Palestinian origin, Sheldan explores human issues and collective memory by reconstructing raw materials into symbolic forms that reflect the impact of time. Her work, represented by Hafez Gallery, blends authenticity with contrasts between the visible and the invisible. The seemingly feathered cocoon chair invites you to immerse yourself in the space and swing along. The army of animals, all made from organic materials, is a striking image and one of my favorite works on display. It is playful and tells a story.

Representing Al-Ahsa, Mohammad Alfaraj is exhibiting with Mennour Gallery. As always, the use of palms is central to his work. A son and grandson of date farmers, Alfaraj grew up in the world’s largest desert oasis. Though he studied applied mechanical engineering at university, he describes himself as “a poet of visuals.” His upbringing on a farm instilled in him a deep commitment to reuse all materials and to prioritize sustainability.




Joud Fahmy’s “Trapped Emotions: Nostalgia” (2025) — a tactile piece made of dyed wool and rope intertwined with metal — strikes a powerful emotional chord. (AN Photo/Huda Bashatah)

Nestled within a smaller area is “From Earth: Historic Diriyah Materials Lab,” presented by the Diriyah Gate Development Authority. A small but powerful space invites viewers to explore the raw materials that shaped Diriyah: mud, limestone, palm fronds, wool and pigments. These natural elements, drawn from the land, speak to centuries of resilience, adaptation and environmental knowledge. The exhibition forces one to separate the materials and highlights them, both in their pure state and their crafted forms: mud transformed into bricks, palm fronds woven into objects, plants used to create vibrant pigments. Far from being relics, these materials remain living resources that breathe life into the works that they are used for.

“I’m absolutely thrilled to be able to be a part of an initiative that really is creating a platform that will give voice to practitioners from Saudi Arabia,” Dina Amin, CEO of VAC, told Arab News regarding the activations.

“Art Week Riyadh is creating a wonderful moment for the people of Saudi Arabia to really be able to engage in many ways through the exhibitions: through the different locations, through the talks, through the workshops, through the open studios,” she added.

Amin also shared a personal experience: “The other day, I was walking around and popping into the studios, and it’s just absolutely wonderful to see the variety of language that each of the artists uses in his or her own work.

“For us, Art Week Riyadh is really about creating a moment of gravitational pull where we can bring all of the different practitioners together. What we really are celebrating here is everybody’s voice. We want to share our creativity, our culture, our engagement with art with the world, but we also want to invite everyone to come and discover it.”


Tradition drives the contemporary at Downtown Design Riyadh fair

Tradition drives the contemporary at Downtown Design Riyadh fair
Updated 1 min 24 sec ago
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Tradition drives the contemporary at Downtown Design Riyadh fair

Tradition drives the contemporary at Downtown Design Riyadh fair
  • Rugs, light fixtures, furniture seek to redefine modern design
  • Carpet ‘The Noorah’ based on Saudi Arabia textiles on display

RIYADH: Design is always evolving, but at Riyadh’s first Downtown Design fair, it is tradition that is shaping the contemporary.

From elegant, oversized rugs to gleaming light fixtures and bold statement chairs, artisanal pieces line up the exhibition halls at Riyadh’s JAX District, showcasing a medley of heritage pieces that are redefining what modern design looks like.

Trame Paris’ collaboration with Maison L. Drucker brings new meaning to Parisian cafe bistro chairs. The “Enlace” collection utilizes an algorithm to generate unique digital patterns that make every customizable chair a one-of-a-kind piece.

Ismail Tazi, founder of Trame, said they were “continuing this conversation between technology and craftsmanship.”

He added that as an Arab he was “very proud because ‘algorithm’ is derived from Al-Khwarizmi — a Muslim scholar who was born in today’s Uzbekistan.

“So it’s really something that represents me today and how I’m looking to balance my own heritage and still be part of this cultural revolution and define a new Arab aesthetic within this digital revolution.”

Iwan Maktabi, a brand that specializes in contemporary takes on antique rugs, displayed a number of eye-catching carpets — particularly a piece called “The Noorah.”

Made of handwoven wool and silk, the black base of the wall rug stands out with pink, orange, and silver accents, embellished with gold motifs; and is inspired by traditional Saudi Arabic textiles.

Jordan-based Naqsh Collective centralizes the concept of engravings, which is one of the first forms of art.

Blending architecture and design with traditional embroidery methods, their work becomes a mode for storytelling. One of the pieces on display is derived from the embellishments on women’s thobes, specifically around the collar.

Nermeen Abudail, co-founder of the collective, said: “In this piece, we talk about how the ladies did their embroidery in the backyards. They sat together collectively creating motifs inspired by their flora and fauna.

“Each pattern comes from a region. Amulets, flowers, cyprus trees — each holds a name, comes from a region and tells a story of why it was embroidered.”

Each piece is hand-cut, inlaid, and finished with solid brass on walnut wood.

The four-day event, running until May 23, showcases collectible works and ultra-high-end collections presented by international galleries, independent designers and manufacturers.


Brad Pitt’s ‘F1 The Movie’ to premiere in Abu Dhabi this June

Brad Pitt’s ‘F1 The Movie’ to premiere in Abu Dhabi this June
Updated 21 May 2025
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Brad Pitt’s ‘F1 The Movie’ to premiere in Abu Dhabi this June

Brad Pitt’s ‘F1 The Movie’ to premiere in Abu Dhabi this June

ABU DHABI: Brad Pitt’s Formula 1 film will return to Abu Dhabi for its regional premiere on June 25, ahead of its official Middle East release on June 26.

Directed by Joseph Kosinski and produced by Jerry Bruckheimer and seven-time F1 champion Lewis Hamilton, “F1 The Movie” was partly shot at the Abu Dhabi Grand Prix last year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by FORMULA 1 (@f1)

The Apple Original Films production follows fictional former driver Sonny Hayes (Pitt) as he returns to Formula 1 decades after a career-ending crash, teaming up with a struggling race team and a hotshot rookie played by Damson Idris.

The cast and crew will return to Abu Dhabi for the red-carpet premiere after filming 29 days across the emirate, including at Yas Marina Circuit and Zayed International Airport. The production involved 284 local crew members and 15 interns, supported by local partner Epic Films and the Abu Dhabi Film Commission’s rebate scheme.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Warner Bros. (@warnerbros)

Mohamed Dobay, of the Creative Media Authority, called the return “a fitting closing moment” to a project that has made a significant impact on Abu Dhabi’s creative economy. The film is one of 180 major productions supported by the Abu Dhabi Film Commission since 2013.


Art Basel to launch new fair in Qatar

Art Basel to launch new fair in Qatar
Updated 21 May 2025
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Art Basel to launch new fair in Qatar

Art Basel to launch new fair in Qatar
  • Sheikha Al-Mayassa is leading the initiative in Doha
  • Builds on ‘thriving ecosystem of culture and sports’

DUBAI: Art Basel is set to launch a new edition of its globally renowned fair in Qatar, scheduled for February 2026 in Doha.

Announced on Tuesday, the inaugural Art Basel Qatar is a joint partnership between the organization’s parent company MCH Group, Qatar Sports Investments, and QC+, a cultural commerce collective.

The fair will be held at M7 and the Doha Design District in Msheireb, at the heart of the city’s creative quarter.

It promises a tightly curated showcase of leading modern and contemporary art galleries, spotlighting talent from the Middle East, North Africa, South Asia, and beyond.

The initiative builds on Qatar’s long-term cultural vision, championed by Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, chairperson of Qatar Museums.

“We have built a thriving ecosystem of culture and sports … and are pleased to welcome the Art Basel organization as our partner,” she said.

The project follows Qatar’s successful hosting of the FIFA World Cup and aims to further position the nation as a hub for arts, sports, and tourism.

QSI’s Chairman Nasser Al-Khelaifi called the partnership “part of the legacy” of the World Cup and a new chapter in QSI’s investment in culture.

Art Basel CEO Noah Horowitz said the initiative “supports artists and galleries and develops new collecting audiences,” while MCH Group CEO Andrea Zappia added that it “will attract art buyers and fans from the region and all over the world.”

Art Basel Qatar will be the fifth fair in the Art Basel portfolio, joining editions in Basel, Miami Beach, Hong Kong, and Paris.


Elyanna to perform at Abu Dhabi Grand Prix concerts

Elyanna to perform at Abu Dhabi Grand Prix concerts
Updated 21 May 2025
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Elyanna to perform at Abu Dhabi Grand Prix concerts

Elyanna to perform at Abu Dhabi Grand Prix concerts
  • Elyanna known for mix of Arab, Western beats
  • Concerts to feature some of world’s top stars

DUBAI: Palestinian Chilean singer Elyanna will perform at this year’s Abu Dhabi Grand Prix After-Race Concerts on Dec. 5 at the Etihad Park on Yas Island.

The young star is expected to sing some of her most popular tracks, including “Ghareeb Alay,” “Mama Eh” and her Arabic rendition of “La Vie en Rose.”

Her performance is a part of the Yasalam After-Race concerts, held alongside the Formula 1 Etihad Airways Abu Dhabi Grand Prix, one of the UAE’s biggest entertainment and sporting weekends.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Yasalam (@yasalamae)

Elyanna joins a high-profile lineup of artists already announced for the four-night concert series, including Benson Boone on Dec. 4, Post Malone on Dec. 5, Metallica on Dec. 6 and Katy Perry on Dec. 7.

Access to the concerts is exclusive to Formula 1 ticket holders, with each night set to feature large-scale performances at the open-air Etihad Park.

Meanwhile, Elyanna has been normalizing Arabic lyrics in the Western world, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

The Los Angeles-based singer’s music is a mix of Arab and Western beats, which she attributes to her multicultural upbringing.

Elyanna has built a strong relationship with British rock giants Coldplay, collaborating with them on the song “We Pray” and joining them on stage in multiple cities, including Los Angeles, Buenos Aires, Tokyo, Barcelona and Paris.

One of her standout appearances was during Coldplay’s four-night concert series in Abu Dhabi earlier this year, part of their “Music of the Spheres” world tour.

In April, Coldplay announced that Elyanna had again teamed up with the band to release a new version of “Ma Meilleure Ennemie,” a track originally performed by Belgian artist Stromae and French singer Pomme.

The reimagined version is featured on the extended soundtrack for season two of “Arcane,” the popular Netflix animated series based on the League of Legends universe.

The extended soundtrack features a star-studded lineup, including Twenty One Pilots, Stray Kids, King Princess, and D4vd.


The Smashing Pumpkins to make UAE debut this October

The Smashing Pumpkins to make UAE debut this October
Updated 20 May 2025
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The Smashing Pumpkins to make UAE debut this October

The Smashing Pumpkins to make UAE debut this October

DUBAI: Alternative rock icons The Smashing Pumpkins are set to perform in the UAE for the first time, with a one-night-only concert at Abu Dhabi’s Etihad Arena on Thursday Oct. 9, 2025. The show is part of the band’s global “Rock Invasion 2025” tour and marks their  Middle East debut.

Led by founding member Billy Corgan, with longtime bandmates James Iha and Jimmy Chamberlin, the Chicago-born group will deliver a setlist spanning their three-decade career. Fans can expect to hear beloved classics such as “1979,” “Tonight, Tonight,” and “Bullet With Butterfly Wings,” alongside newer tracks like “Beguiled” and “Empires.”

The Abu Dhabi stop is the final leg of their regional tour, which also includes performances in Tokyo, Seoul, Manila, Bangkok, Singapore, and Bahrain. The tour follows the release of their ambitious rock opera “ATUM” and their latest album “Aghori Mhori Mei,” released in late 2024.

Tickets for the Etihad Arena show go on sale through Live Nation Middle East, with artist and presale tickets available starting May 21, and general public sales opening on May 23 at 12 pm.