Author: Richard Powers

Published in 2018, “The Overstory” by Richard Powers won the Pulitzer Prize for fiction in 2019.

The novel explores the lives of a group of people and trees, and how they are interconnected, emphasizing the relationship between humans and nature.

In the book, nine characters whose lives were influenced by encounters with trees — either through family history, personal tragedy, science or activism — find their paths crossing.

Their connection to trees and their shared goals lead them to join efforts to advocate for environmental health.

Throughout the story, Powers threads the narrative with themes and concepts such as ecological interdependence, sacrifice and the necessity for conservation, creating a mixture of science, storytelling and environmental ethics.

While the book is a great option for people interested in the environment and natural science, the pacing suffers a bit, despite being well-written. Some readers may struggle to stay captivated by the story.

Richard Powers is an American novelist known for his fiction as well as science fiction works.

Powers has published several works including “Bewilderment,” “Playground” and “The Time of Our Singing.”

Author: Haruki Murakami

Haruki Murakami’s “Men Without Women” is a poignant and masterfully crafted collection of short stories that delve into the loneliness and disorientation experienced by men after the women central to their lives have departed.  

It was published in English in 2017, translated from Japanese by Phillip Gabriel and Ted Goossen.

As the title suggests, each narrative explores a man grappling with absence. We meet Kafuku, an actor dissecting decades of grief and his wife’s infidelity during introspective taxi rides; Kitaru, who inexplicably asks his friend to date his girlfriend; and Dr. Tokai, a commitment-phobic surgeon shattered by unrequited love for a married woman.  

Elsewhere, Habara, confined indoors, finds enigmatic connection with his housekeeper; Kino flees his collapsed marriage only to face uncanny visitations in his bar; and a man undergoes a surreal reversal — transformed from insect to human — in a direct homage to Kafka’s Gregor Samsa. Each protagonist carries a palpable void, that missing jigsaw piece in their heart. 

Murakami’s genius lies in his acute observation of fragility in the human spirit and the unpredictability of emotions. Themes resonate powerfully: paralyzing grief, the sting of unreciprocated love, and the suffocating safety of chosen isolation.

His prose seamlessly blends the mundane with the surreal, creating a hypnotic atmosphere that immerses readers in these internal landscapes. The collection flows with remarkable cohesion. 

While undeniably melancholic, “Men Without Women” is a moving exploration of love, loss, and the haunting silence that remains.

Murakami compels readers to undertake the difficult task upon which Kafuku reflects: to look inside their own heart as perceptively and seriously as possible, and to make peace with what they find there. A must-read for insights into solitude’s weight.