LAHORE: An Australian couple on a quest to drive from London to Melbourne in a 102-year-old car were forced to put the brakes on their journey because of an unlikely obstacle: Pakistan’s heat wave.
Langley Kidby, 77, and Beverley Kidby, 71, are veteran motor adventurists who have driven through over 80 countries and covered tens of thousands of miles on a journey that aims to emulate legendary Australian cyclist, adventurer and filmmaker Francis Birtles who became the first man in 1927 to drive from London to Melbourne.
The Kidbys were so committed to emulating Birtles they even bought the 1922 Bean car from a museum that the late Australian cyclist drove.
The husband-wife duo began their journey on April 1 and crossed Europe, driving from Turkiye to Iran from where they entered Pakistan through its southwestern Balochistan province. The plan was to drive all the way to Pakistan’s eastern city of Lahore and then travel onwards to India through the Wagah border.
But the scorching temperature in Sukkur in the southern Sindh province threw a spanner in the works.
Temperatures have risen this month above 125.6 degrees Fahrenheit (52 degrees Celsius) in Sindh, the highest reading of the summer and close to the country’s record high amid an ongoing heat wave.
“When we crossed into Pakistan, we had a heatwave here and we had 55 degrees,” Langley told Arab News, explaining that the Bean did not have air conditioning. “And the car got very hot … So, it was a very, very grueling few days, all the way to Sukkur, and then on to Lahore.”
Beyond this point, the heat made it difficult to drive through Sibi city in Balochistan and Sukkur in Sindh and the couple decided to have the car towed from Sukkur to Lahore via a truck from where it will continue the journey onwards to India, Malaysia, Singapore and then finally back to Australia.
‘FANTASTIC PEOPLE’
Mohsin Ikram, the president of the30-year-old Vintage and Classic Car Club of Pakistan (VCCCP) that pays homage to “automobiles of a bygone era,” was the chief coordinator for the Australian couple’s car ride across Pakistan.
Speaking to Arab News, Ikram said his organization was affiliated with the Fédération Internationale des Véhicules Anciens (FIVA), the worldwide federative association of historic automobile clubs.
“So FIVA got in touch with me and said this couple wants to do this journey and Pakistan is on their route,” Ikram told Arab News. “But they are a bit concerned about people advising them not to go.”
Ikram assured the couple they would remain safe on their journey through Pakistan and sure enough, the Kidbys leave Pakistan today, Friday, as happy customers.
“Oh, it’s fantastic, these are some of the friendliest people we’ve ever met,” Beverley said. “That to me is the best part of the trip, meeting the people and finding out how welcoming and lovely they are.”
She said the couple traveled with security and were escorted at different locations by the paramilitary Levies forces, army and police until they arrived in Lahore.
The couple were also all praise for Pakistani mechanics.
“In several countries, we found mechanics who can fix almost anything at all and because we can’t get spare parts for this car, so they make some spare parts for us,” Langley said. “And we found this in Iran, we found this in Pakistan, very, very smart mechanics.”
Sitting next to her husband as they drove off once again in Lahore, Beverley said she would take a positive message about Pakistan wherever she went in the future.
“I would like to recommend [to other foreigners] to come here and see for themselves what a wonderful country it is and the people, how friendly they are,” she said.
Ikram urged the government to review its policies on tourism.
“If [the government] can make things easier [and safer] for them,” he said, “we can raise motoring tourism by such a large amount, Pakistan can benefit a lot from this.”
Pakistan heat wave puts brakes on Aussie couple’s world tour on 102-year-old car
https://arab.news/ya8mz
Pakistan heat wave puts brakes on Aussie couple’s world tour on 102-year-old car
- Couple were driving vintage Bean car from London to Melbourne to emulate 1927 journey by Australian cyclist
- In Pakistan’s Sindh, in grips of heat wave, Kidbys had to abandon driving plans and get car towed to Lahore city
In ‘Star Wars: Tales of the Underworld,’ Asajj Ventress finds new depth
DUBAI: In the ever-expanding Star Wars universe, few characters capture the imagination quite like Asajj Ventress. Voice actress Nika Futterman returns to breathe life into this complex anti-hero in “Star Wars: Tales of the Underworld,” offering fans a deeper look into a character who has evolved from a ruthless villain to a nuanced, world-weary survivor.
“After all these years of traveling alone, of killing so many people, her voice has changed,” Futterman explains.
Gone is the regal, sharp-edged character of the past. Instead, audiences will meet a Ventress who is “more about just existing and finding her peace.”
An all-new anthology series of animated shorts, “Star Wars: Tales of the Underworld” premiered May 4 on Disney+. The popular series this time focuses on the criminal underbelly of the Star Wars galaxy through the experiences of two iconic villains. Former assassin and bounty hunter Ventress is given a new chance at life and must go on the run with an unexpected new ally, while outlaw Cad Bane faces his past when he confronts an old friend.
What makes Ventress so compelling? Futterman believes it’s her incredible depth. “She’s like an onion that you keep peeling,” she said.
From her unique origins as a witch raised by pirates, trained by a Jedi, and later mastering the dark side, Ventress defies simple categorization. The new series promises to reveal a softer side of the character. “We started to see that she has this capability of taking care of others,” Futterman said. “She’s not just angry; she actually has a heart.”
Fans of morally complex characters will find much to love in this exploration of Ventress’ journey. As Futterman puts it, Ventress is ultimately “someone who can put good things into the universe, instead of taking them away.”
Quinta Brunson opts for Lebanese gown in Los Angeles
DUBAI: Emmy-winning actress, comedian and writer Quinta Brunson showed off a gown by Lebanese designer Zuhair Murad at the 14th Annual Spring Break Gala by City Year Los Angeles.
Founded in 1988, City Year is a national service program that offers full-time community service. This weekend, the Los Angeles chapter held its annual gala, which was attended by the likes of US actress and film producer Viola Davis and “Abbott Elementary” sitcom creator Brunson.
Brunson’s column gown hailed from Zuhair Murad’s Pre-Fall 2025 collection. The look featured star-like embellishments across the torso, bust and cuffs.
It is not the first time Brunson has worn a Lebanese creation on the red carpet — in September, she showed off a mermaid sculpted gown from Lebanese designer Georges Chakra’s Fall/Winter 2024-2025 couture collection at the 76th Primetime Emmy Awards in Hollywood.
Meanwhile, Murad has continued to attract celebrity clientele to his eveningwear label.
In late April, Murad made a statement at the 2025 Time 100 Gala with US actress Blake Lively, as well as singer and songwriter Nicole Scherzinger, showcasing his creations on the red carpet.
Lively, who attended the event with her husband Ryan Reynolds, wore a pink taffeta off-the-shoulder gown featuring a corseted bodice and a train detail from Murad’s ready-to-wear Spring 2025 collection.
Scherzinger, meanwhile, chose a black off-the-shoulder sequin gown from Murad’s ready-to-wear Pre-Fall 2025 collection.
One month earlier, Murad unveiled his latest collaboration with Italian label Marina Rinaldi. Murad designed the brand’s Spring/Summer 2025 capsule collection inspired by China’s Tang dynasty.
Drawing from the dynasty’s introduction of peony cultivation in imperial gardens, Murad infused the collection with images of the flower.
The collection focuses largely on eveningwear.
“Grand evening gowns go beyond the pure object, they are a way of investing in one’s personal history,” the designer said in a released statement. True to his signature style, the collection features hourglass silhouettes and intricate hand-embroidered details.
The collection’s color palette mirrors another element of Tang dynasty artistry — delicate chinaware. Soft shades of cream, sky blue, aquamarine green and pink infuse the flowing chiffon gowns, pleated bodices and long plisse skirts.
Photographs in Doha’s Tasweer photo festival explore belonging, identity and home in the Arab world
DOHA: A young Sudanese man sits in a chair dressed in an elegant off-white three-piece suit. He holds a small shotgun in one hand which he eyes solemnly while resting against the wall behind him on a crimson red tapestry is a rifle. The photograph is titled “Life Won’t Stop” and is one of several images by Sudanese photographer Mosab Abushama documenting his friend’s wedding in Omdurman, Sudan, a city constantly targeted by airstrikes.
The photograph is on view as part of the show “Tadween,” referring to the concept of recording of news and emotions through writing, photography, audio or video, and is one of several exhibitions in the third edition of Doha’s Tasweer Photo Festival, which runs until June 20.
“Despite the clashes and random shelling in the city, the wedding was a simple but joyous occasion with family and friends,” wrote in the caption for the work. “The war in Sudan, which began in April 2023, brought horrors and displacement, forcing me to leave my childhood home and move to another part of the city. It was a time none of us ever expected to live through. Yet, this wedding was a reminder of the joy of everyday life still possible amidst the tragedy and despair.”
Abushama’s photograph earned recognition at the 2025 World Press Photo Awards in the Singles Africa category.
Abushama’s poignant image is one of many on show this year in the Tasweer Photo Festival that prompt deep reflection and compassion.
One of the numerous exhibitions on view is “Obliteration — Surviving The Inferno: Gaza’s Battle for Existence.” The images are displayed outside in Doha’s Katara Cultural Village unfolding in five stages to capture each chapter thus far of the war on Gaza. Each image, such as Abdulrahman Zaqout’s “When Food and Water Become Weapons,” has been shot by a Gazan photographer on the ground to witness and experience the catastrophe. From children extending bowls for food to mothers comforting terrified children, each image recounts the tales of horror that continue to unfold as the war in Gaza continues.
“As I Lay Between Two Seas,” another exhibition in the festival, is at the Doha Fire Station. Curated by Meriem Berrada, an independent curator and artistic director of the Museum of Contemporary African Art Al Maaden in Marrakech, the exhibition is a poignant and poetic display of 25 photographers from the Arab world and its diasporas grappling and coming to terms with ideas of identity, belonging and home.
“(The exhibition) approaches belonging not as a fixed state, but as a fluid, evolving condition shaped by memory, distance, rupture, and imagination,” Berrada told Arab News. “The exhibition unfolds through a non-linear narrative that invites diverse temporalities and perspectives to coexist.”
The title of the exhibition is drawn from a photographic series by Ali Al-Shehabi that conjures up a metaphor that speaks to the fluid, ever changing idea of understanding the self.
“Guided by the metaphor of the sea — shifting, unstable, and expansive — it draws inspiration from poets of the region whose writings on exile and longing offer a conceptual and emotional foundation,” Berrada said. “The selected works span a wide spectrum from documentary to conceptual and abstract practices. These works examine family and community dynamics, spiritual and philosophical relationships, and the sociopolitical structures that influence selfhood. They explore the symbolic ties to one’s roots, often shaped by personal memory and collective histories.”
From Lebanese artist Ziad Antar’s dreamy and edgy photographs of abandoned and unfinished buildings in Beirut and on the Lebanese coast and Saudi artist Moath Alofi’s series of desolated mosques along the winding road to Madinah, Saudi Arabia, to Palestinian Taysir Batniji’s “Just in Case #2” (2024), portraying images of a series of keys representative of feelings of loss and exile, the photographic works on show oscillate between feelings of pride, belonging, loss and longing.
A poem by Palestinian poet and author Mahmoud Darwish titled “I Belong There,” appears on one wall between the display of several photographs reflecting through words many of the feelings expressed in the images on display. “I belong there. I have many memories. I was born as everyone is born […] I have lived on the land long before swords turned man into prey. I belong there.”
Elsewhere in Tasweer, a solo exhibition at Mathaf: Arab Museum of Modern Art on the works of Moroccan photographer and filmmaker Daoud Aoulad-Syad titled “Territories of the Instant” presents the essence of Moroccan popular culture and remote regions in the country. Another exhibition, “Threads of Light: Stories from the Tasweer Single Image Awards,” presents 31 captivating images from 2023 and 2024 awards highlighting the extraordinary in daily life, including sacred traditions in Oman, dynamic street scenes in Yemen and moments of contemporary change in Iraq and picturesque marine views of traditional boats in Doha.
As Berrada said of the festival, which can arguably apply to numerous works and shows in Tasweer this year: “It also reflects on the photographic medium itself — how image-making can question fixed and often deterministic categories of belonging and become a powerful tool for reimagining identity in a deeply interconnected world.”
Loli Bahia fronts Chanel’s latest jewelry campaign
DUBAI: Chanel cannot get enough of French Algerian model Loli Bahia. The French luxury house has tapped the model once again to front its latest campaign for the Chanel No. 5 jewelry collection.
The new pieces combine gold and diamonds to form the shape of the number five, a symbol closely associated with the brand’s identity. The collection includes rings, bracelets, necklaces and earrings, all inspired by the enduring allure of the No. 5 brand.
In the campaign images, Bahia was seen wearing various pieces from the line, including number five-shaped drop earrings, a diamond pendant necklace, a gold bracelet featuring the numeral and matching rings. The designs incorporate both yellow and white gold and are detailed with diamonds.
Bahia has collaborated with Chanel on several occasions. Most recently, in January, she opened the runway show during Paris Haute Couture Week wearing an ensemble that combined the house’s signature tweed with pastel quilting.
The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. The jacket was detailed with front pockets and Chanel’s signature buttons.
The in-demand model also wore a white tweed mini skirt, paired with a slim black belt featuring a gold buckle. The outfit was completed with two-tone Mary Jane heels in black and white, secured with gold buckle-adorned ankle straps.
In May 2024, she walked the Chanel Cruise 2024/2025 show in Marseille, France.
Bahia donned a green ensemble, composed of a knee-length pencil skirt paired with a matching top, layered over a white shirt boasting a hoodie collar.
That same year, in June, she walked for the brand during Paris Fashion Week as part of its fall/winter 2024-2025 collection unveiling.
She graced the runway in a two-piece ensemble comprising a tailored buttoned jacket complemented by a matching knee-length skirt in a delicate tweed fabric. Both garments were adorned with subtle black tassel details.
The model’s first campaign with Chanel was in 2022, when she was just 19 years old. It was Chanel’s Metiers d’Art spring 2022 campaign, shot by fashion photographer Mikael Jansson.
In the campaign, Bahia displayed the savoir faire of artisans via tailored jackets, logo-emblazoned leather gloves, wide-brimmed hats, embellished mini-dresses and ornate bangles, necklaces and earrings.
Where We Are Going Today: Matcha Cloud
There is something instantly charming about Matcha Cloud — from the soft pink packaging to the handwritten “To the matcha lover only” on the box.
This brand knows its audience, and it delivers an experience that feels like a warm, cozy hug.
I ordered everything separately: the Premium Ceremonial Grade Matcha that came with a cute sleeve, and four flavor syrups — Apple Pie, Gingerbread, Caramel Gingerbread, and Cinnamon Cookie.
Each item came in one box, with themed packaging that made the whole order feel cohesive and thoughtful.
The matcha itself is fresh, smooth and vibrant — exactly what you want from ceremonial grade.
It blended well with oat milk and delivered a balanced, clean taste without bitterness. The sleeve was perfect for holding my cup around.
Now to the flavor syrups, they are playful and creative. Especially the cinnamon cookie one, which gave cozy winter vibes.
But if I am being honest, the taste of the syrups was not as deep or rich as I hoped. They add sweetness and aroma, but I found myself wishing they had more natural flavor and less artificial aftertaste.
Still, for matcha lovers who enjoy a touch of customization or want to try fun new twists, Matcha Cloud offers a refreshing take.
It is not just about quality, it is about joy — and this brand knows how to deliver that.
For more information, check their Instagram @matcha.cloud.ksa.
