DUBAI: US actress Rachel Zegler has responded to the backlash she received for speaking out in support of Palestine, saying, “Nothing is worth innocent lives.”

The “West Side Story” star, who played the lead in Disney’s 2025 live-action remake of “Snow White,” came under fire during the film’s press tour for her political posts about the war in Gaza. In a new interview with i-D, she addressed the vitriol she faced — not just for her stance on Palestine, but also the widespread online narrative blaming her for the film’s poor box office performance.

Zegler pushed back against the idea that actors should stay silent on humanitarian issues for fear of professional fallout.

“I can really only echo Hannah Einbinder in saying that a platform becomes a responsibility, and that responsibility is ours to use as we please,” Zegler said, referencing the “Hacks” actor’s powerful remarks at a Human Rights Campaign dinner earlier this year, in which Einbinder criticized Israel’s assault on Gaza and emphasized the need for public figures to speak up.

“My compassion has no boundaries, is really what it is, and my support for one cause does not denounce any others. That’s always been at the core of who I am as a person. It’s the way I was raised,” Zegler continued.

“There are obviously things that are at stake by being outspoken, but nothing is worth innocent lives. My heart doesn’t have a fence around it, and if that is considered my downfall? There are worse things.”

In August 2023, “The Ballad of Songbirds & Snakes” actor expressed support for Palestine when she shared the first official “Snow White” trailer on X. She thanked her fans for their support, before adding in a separate post: “And always remember, free Palestine.”

DUBAI: The Toronto Arab Film Festival, running from June 20- 29, screened the scathing yet poignant Lebanese film “Arze,” directed by Mira Shabib.

The ambitious “Arze” — which means "cedar" in Arabic — follows the story of Arze, a single mother supporting her teenage son and love-struck sister through a homemade pie delivery business. In an effort to improve their lives, she steals and sells her sister’s jewelry to buy a scooter for her son to use for deliveries. But when the scooter is stolen, mother and son embark on a frantic journey across Beirut to recover it.

On the surface, “Arze” tells a story that resonates deeply with many Lebanese families caught in financial limbo. It explores the emotional toll of such hardship, with questions arising as to whether one should leave the country or give up remnants of a once-comfortable life to survive Lebanon’s shifting socio-economic landscape.

Beneath the family drama lies sharp satire. Even the film’s title that references the cedar tree, a national symbol of Lebanese identity, carries layered meaning. Like the character herself, that identity appears fragmented, constantly lost amid the country’s sectarian divides. This is where the film truly shines: Arze, portrayed with emotional depth by Diamand Abou Abboud, dons various religious symbols and disguises to navigate Beirut’s fractured neighborhoods.

Shabib excels in exposing the farce of sectarianism, insinuating that Lebanon’s religious divisions are not deeply rooted but socially constructed and performative. Arze’s ability to blend into different communities simply by changing her appearance highlights how fragile and superficial these boundaries truly are.

In this sense, the film excels in its portrayal of a fourth main character: Beirut itself. Through Shabib’s lens, we are taken on a tour of a city so diverse it borders on overwhelming. Yet this diversity, rather than being a source of division, becomes a stage for a pointed critique, one that targets society’s fixation on appearances and its preference for the performative over lived reality.