Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems

Hiroshima, with Hiroshima Castle in the foreground. (Shutterstock)
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Updated 08 March 2024
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Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems

  • The two cities were almost wiped out in 1945. They remain sobering but rewarding destinations for visitors 

TOKYO: Hiroshima and Nagasaki will forever be infamous as the first cities to be targeted by atomic weapons. Nearly 80 years since the world entered the nuclear age, however, both are keen to promote the more positive parts of their histories and some of their unique attractions. 

There is no getting around the fact, however, that Hiroshima and Nagasaki are on travelers’ maps today largely because they were nearly wiped off them completely in 1945. 

Hiroshima — less than five hours south-west of Tokyo by bullet train — is spread across the delta of the Ota River. A distinctive T-shaped bridge on the northern tip of one of the delta’s long, slender islands was the target of “Little Boy,” the bomb dropped by the Enola Gay B-29 Superfortress at 8.15 am on August 6, 1945. 




Nagasaki Skyline at night from Mount Inasa. (Shutterstock)

It detonated almost directly above the Hiroshima Prefectural Commercial Exhibition Hall, a steel-and-concrete structure that, while almost everything within the blast radius of several kilometers was destroyed, withstood the explosion. Its skeletal remains are today known as the A-Bomb Dome. 

Just across one branch of the river is the Peace Memorial Park, home to the sobering Peace Memorial Museum where survivors’ tales are interspersed with artifacts such as melted glass or thick steel that was folded by the force of the blast. An eternal flame burns in a cenotaph in the gardens where commemorations are held every August. 

Nearby is the famous Children’s Peace Monument, which depicts a girl with her arms outstretched and an origami paper crane above her. The model for the statue was Sadako Sasaki, who survived the bomb but was diagnosed with leukemia in 1954. In hospital, before her death in 1955, she folded more than 1,000 paper cranes which, according to Japanese lore, would grant her a wish.  

Hiroshima Castle, once the base of local warlord Terumoto Mori, is well worth visiting, even if it is a reconstruction, the original having been destroyed by the bomb. Its spacious grounds are the best place in the city to enjoy the cherry blossoms during the brief spring “hanami” season. 

A short boat journey away is the island of Itsukushima, a UNESCO World Heritage Site dotted with shrines and pagodas dating back centuries. It is most famous for the bright orange “torii” gate that stands in front of Itsukushima Shrine and appears to float above the water at high tide. 




The 'floating' gate in front of Insukushima Shrine. (Shutterstock)

Around 400 kilometers to the west of Hiroshima, on the island of Kyushu, is Nagasaki, which — under the national-isolation policy of the Tokugawa shogunate — was once the only port in Japan where Portuguese and Dutch traders were permitted to come ashore and trade. This enabled Christian missionaries to gain a foothold in the mid-1500s, which led to hundreds of Japanese converts being executed.   

As trade grew, so did Nagasaki’s importance. When Japan emerged from a second bout of isolation in the mid-1850s, Western concepts, engineering and technology flowed through the city and it became Japan’s center of shipbuilding, thanks in part to Scottish merchant Thomas Glover, who arrived in 1859, and swiftly became involved in the construction of ships and railways, and the import of, among other commodities, guns. 

Glover’s luxurious former home sits on a bluff overlooking the harbor and the Mitsubishi Heavy Industries dockyards that are direct descendants of his ventures. A number of other historic buildings from the city’s foreign community have been preserved, giving a glimpse into the luxury in which expats lived at the time. 

Nagasaki also has a thriving Chinatown district, which gets particularly raucous during New Year festivities, while Dejima has undergone extensive archeological investigation and reconstruction to return it to the fan-shaped isle that was built on the orders of the shogun in 1636, linked to the mainland by a footbridge to limit the early foreign traders’ interactions with locals. 

A cable car can take you the 333 meters to the top of Mount Inasa, on the west side of the inlet, where the view is particularly spectacular at night. Further along the inlet, after it has become the Urakami River, is the spot that will forever connect Nagasaki to Hiroshima. Here stands a towering 10-meter statue of a man with his left hand extended in a gesture of peace while his other hand points to the skies. 

The plutonium bomb, “Fat Man,” detonated 500 meters above this spot just after 11 a.m. on the morning of August 9, 1945. The man’s eyes are closed. The sculptor wanted him to appear to be in prayer for the dead. 


Israel in spotlight at Eurovision semifinal as pro-Palestinian protests loom

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Israel in spotlight at Eurovision semifinal as pro-Palestinian protests loom

  • The 68th version of the song contest takes place amid protests and boycotts over the Israeli military campaign in Gaza, triggered by Hamas’ Oct. 7 attack on Israel

MALMO, Sweden: The second semifinal of this year’s Eurovision Song Contest will take place in Sweden on Thursday, with Israel’s performance expected to draw attention due to large pro-Palestinian protests planned in host city Malmo.
Some 100,000 visitors have gathered in Malmo in southern Sweden for the annual kitsch-fest, which is watched by some 200 million people worldwide.
Thursday’s semifinal will feature two of the favorites to win, Switzerland’s Nemo with the song “The Code” and Joost Klein of the Netherlands with the song “Europapa,” as well as outsider Eden Golan of Israel with her song “Hurricane.”
The 68th version of the song contest takes place amid protests and boycotts over the Israeli military campaign in Gaza, triggered by Hamas’ Oct. 7 attack on Israel.
The European Broadcasting Union (EBU), which organizes the event, has resisted calls for Israel to be excluded but asked Israel to modify the lyrics of its original song “October Rain,” which appeared to reference the Hamas attack.
Tens of thousands are expected at a pro-Palestinian demonstration in central Malmo at 1300 GMT on Thursday. A smaller nearby pro-Israel demonstration is scheduled for 1600 GMT.
Gaza-born Swedish student and Palestinian activist Bachar Garar, 23, will protest what he calls double standards, pointing to EBU’s decision to ban Russia after it invaded Ukraine in 2022.
“After everything that happened, how they’ve treated Russia after what happened in Ukraine, they just choose to turn a blind eye to what’s happening in Gaza. So that’s hypocrisy for us and we’re trying to put an end to it,” he said.
Israeli contestant Golan, 20, says she hopes her performance will help unite people.
“It’s a super important moment for us, especially this year,” she told Reuters in an interview this week. “I feel honored to have the opportunity to be the voice of my country.”
At the first semifinal on Tuesday, thousands of fans in quirky and glittery outfits, many dressed up as their favorite contestant or in their national colors, saw 10 performers, including favorites Croatia and Ukraine, qualify for Saturday’s final.
Swedish authorities have heightened security and are bracing for possible unrest during Eurovision week.
“There are sometimes more police than people in sequins, but overall great fun, we’re having a great time,” said United Kingdom supporter Francesca Gaffey, wearing colorful rhine stones on her forehead, a flower headband and a t-shirt with the Eurovision slogan ‘United by Music’.
Thursday’s semifinal is due to begin at 1900 GMT and will also feature contestants from Malta, Albania, Greece, the Czech Republic, Austria, Denmark, Armenia, Latvia, San Marino, Georgia, Belgium, Estonia, and Norway.
Bookmakers have Croatia, Switzerland, Italy and Ukraine as the favorites to win, while streaming data from Spotify suggests a strong chance for the Netherlands or host nation Sweden.


Shanina Shaik takes part in Australian Mother’s Day campaign

Updated 08 May 2024
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Shanina Shaik takes part in Australian Mother’s Day campaign

DUBAI: Part-Arab model Shanina Shaik took part in her first-ever Mother’s Day campaign with fashion platform Witchery to mark the Australian iteration of the globally celebrated occasion, which lands on May 12.

The Australia-born model — who is of Saudi, Pakistani and Lithuanian descent — shares a son with her partner, Matthew Adesuyan.

Born in September 2022, their toddler Zai Adesuyan Matthew is also part of the campaign video and he can be seen laughing on his mother’s lap in a studio setting.

“Motherhood has changed me in so many ways… it’s definitely created more patience,” Shaik joked in the video campaign that she shared with her 3.4 million followers on Instagram.

“Now that I’m a mother, I would like to say to my mother, ‘I understand.’ I understand the worry, the concern, because you just want to protect your child every day at all costs,” she added.

The 33-year-old model also said: “If I could describe motherhood in one word, it would be ‘powerful,’” before concluding “the purest form of love is the bond between a mother and a child.”

Shaik announced the birth of her first child in September 2022 by sharing a picture of the couple’s bundle of joy on Instagram. “Welcome to the world baby Zai Adesuyan Matthew. @bausmatthew and I are so in love,” she captioned the post.

“I have taken this time to adjust to my baby’s schedule and to understand the role of being a mother. Bringing life into this world is a beautiful challenge. I would be happy to share my experience soon,” she wrote at the time.

Zai was born on Sept. 16 in Los Angeles, according to Shaik’s mother, Kim Shaik.

The grandmother wrote on Facebook: “My gorgeous grandson was born last night at 12:50 on the 16th September 2022.”

The catwalk star announced her pregnancy in May 2022 with a letter to her then-unborn child.

“To the new love of my life, thank you for choosing me to be your mum. I have always wanted you for as long as I can remember, and at times my patience was tested. The timing had to be right, and I can say with confidence that I am ready to be your guide, your protector and your best friend,” the former Victoria’s Secret model wrote.

“As each month goes by during this precious journey of pregnancy, I am learning what the role of being a mother entails. I worry a lot, especially about your wellbeing and development. It’s a feeling that I’ve never experienced before, not even about myself. I would do anything for you, be anything for you and sacrifice anything for you,” she continued.

She then praised her own mother, mentioning that she was raised by an “amazing woman” who taught her a lot about motherhood. “She has set the bar high and I don’t want to disappoint you. I want to raise you as she raised me.”

 


Qatar highlights Arab, South Asian and African films at the Venice Biennale

Updated 08 May 2024
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Qatar highlights Arab, South Asian and African films at the Venice Biennale

  • Highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan

VENICE: For its second showing during the Venice Biennale, Qatar is staging the exhibition “Your Ghosts Are Mine: Expanded Cinemas, Amplified Voices” that takes a profound, in-depth look at the last decade of film and video art by Arab, South Asian and African filmmakers.

While Qatar has yet to have its own national pavilion, its exhibition occupies the 459-year-old Palazzo Cavalli-Franchetti on the Grand Canal. The works on show are drawn from the collections of Mathaf: Arab Museum of Contemporary Art, the Doha Film Institute and the forthcoming Art Mill Museum (scheduled to open in 2030). It is divided into ten galleries, each comprising films and video art according to a specific theme such as ruins, women’s voices, borders, exile and deserts and is curated by Paris-based Matthieu Orlean, a film and video expert. The exhibition will run until November 2024.

“Film is very relevant to our institutions and is an important part of our collections,” Zeina Arida, Director of Mathaf: Arab Museum of Modern Arab Art in Doha, told Arab News.

“It is a great way to document our contemporary times,” she added. “Film is also a great way of to share who we are and what we are going through, what we as societies from these less represented countries are living and the issues we are facing.”

In-depth storytelling can be found in the films on view by Shirin Neshat and Shoja Azari, Larissa Sansour, Fares Fayyad, Ali Cherri, Shaima Al-Tamimi, Ramata-Toulaye Sy, Hassan Khan and Sophia Al-Maria, among others.

In a documentary and largely journalistic style, many of the works shed light on current events and issues not often covered in mainstream media, including the now one-year old conflict in Sudan or migrants seeking new homes such as those captured in the film by Yemeni East African filmmaker Shaima Al-Tamini who charted the journey of her family from Kenya and Zanibar to the UAE.

“I was looking at movies that were different from the rest — that take a risk of telling their own story in a specific way,” curator Orlean told Arab News. “The filmmakers of these films are foreigners in their own environment because they are capturing events, whether personal or collective, that many people don’t see even in the news. Many deal with the themes of migration, social differences and exile.”

The works on view showcase both long and short films. A few highlights include Ali Cherri’s “The Dam” (2022), charting the story of a Darfuri seasonal worker from Sudan who works during the night to create a mud-brick monument. The film is a political fable that tells of the power of imagination against the backdrop of the Sudanese revolution. There is also Qatari artist Sophia Al-Maria’s well-known work “Black Friday” (2016) and British-born Egyptian multimedia artist Hassan Khan’s “Jewel” (2010) featuring a luminescent fish in dark waters followed by two men dancing to Arabic music.

“‘Jewel’ was triggered by a moment witnessed on the street in Cairo in 2006 — two men dancing around a speaker with raw, brutal and beautiful music blaring out,” Khan told Arab News. “It took four years before I could finally produce the work for Mathaf's opening exhibition in 2010 and by then so much was bubbling around us that it seemed to channel something real. Imagine a one second flickering daydream slowed down and stretched into six intense minutes. It is about our deepest sources — history, culture, emotion — and how we communicate the alien that lives inside all of us.”


The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

Updated 08 May 2024
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The Eurovision Song Contest kicked off with pop and protests as the war in Gaza casts a shadow

  • Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday

MALMO, Sweden: Competition in the 68th Eurovision Song Contest kicked off Tuesday in Sweden, with the war in Gaza casting a shadow over the sequin-spangled pop extravaganza.
Performers representing countries across Europe and beyond took the stage in the first of two semifinals in the Swedish city of Malmo. It and a second semifinal on Thursday will winnow a field of 37 nations to 26 who will compete in Saturday’s final against a backdrop of both parties and protests.
Ten of the 15 acts performing Tuesday were voted through to the final by viewers. They include Croatian singer-songwriter Baby Lasagna, whose infectious electro number “Rim Tim Tagi Dim” is the current favorite to win, and Ukrainian duo alyona alyona and Jerry Heil, flying the flag for their war-battered nation with the anthemic “Teresa & Maria.”
Also making the cut were goth-style Irish singer Bambie Thug, 1990s-loving Finnish prankster Windows95man and Portuguese crooner Iolanda. Iceland, Azerbaijan, Poland, Moldova and Australia were eliminated.
Other bookmakers’ favorites who will perform Thursday include Swiss singer Nemo, Italian TikTok star Angelina Mango and the Netherlands’ Joost Klein with his playful pop-rap song “Europapa.”
Security is tight in the Swedish city, which expects an influx of some 100,000 Eurovision fans, along with tens of thousands of pro-Palestinian protesters. Israel is a Eurovision participant, and demonstrations are planned on Thursday and Saturday against the Israel-Hamas war, which has left almost 35,000 Palestinians dead.
Israel’s government warned its citizens of a “tangible concern” Israelis could be targeted for attack in Malmo during the contest.
Organizers told Israel to change the lyrics of its entry, originally titled “October Rain” in apparent reference to Hamas’ cross-border Oct. 7 attack that killed some 1,200 Israelis and triggered the war. The song was renamed “Hurricane” and Israeli singer Eden Golan was allowed to remain in the contest.
Jean Philip De Tender, deputy director-general of Eurovision organizer the European Broadcasting Union, told Sky News that banning Israel “would have been a political decision, and as such (one) which we cannot take.”
Police from across Sweden have been drafted in for Eurovision week, along with reinforcements from neighboring Denmark and Norway.
Sweden’s official terrorism threat level remains “high,” the second-highest rung on a five-point scale, after a string of public desecrations of the Qur’an last year sparked angry demonstrations across Muslim countries and threats from militant groups. The desecrations were not related to the music event.
Eurovision’s motto is “United by Music,” but national rifts and political divisions often cloud the contest despite organizers’ efforts to keep politics out.
Flags and signs are banned, apart from participants’ national flags and the rainbow pride flag. That means Palestinian flags will be barred inside the Malmo Arena contest venue.

Eric Saade, a former Swedish Eurovision contestant, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist. (AFP)

Some musicians seem determined to make a point. Eric Saade, a former Swedish Eurovision contestant who performed as part of Tuesday’s show, had a keffiyeh, a headscarf associated with the Palestinian cause, tied around his wrist as he sang.
Afterwards, organizers said in a statement that “we regret that Eric Saade chose to compromise the non-political nature of the event.”
Performers are feeling political pressure, with some saying they have been inundated with messages on social media urging them to boycott the event.
“I am being accused, if I don’t boycott Eurovision, of being an accomplice to genocide in Gaza,” Germany’s contestant, Isaak, said in an interview published by broadcaster ZDF. He said he did not agree.
“We are meeting up to make music, and when we start shutting people out categorically, there will be fewer and fewer of us,” he said. “At some point there won’t be an event anymore.”
One person who knows how Eurovision unity can collide with bitter reality is singer Manizha Sangin, who represented Russia at the contest in 2021. The country was expelled the following year over its invasion of Ukraine.
Manizha, who performs under her first name, spoke out against the war. As a result, her performances were canceled in Russia and her music banned from public spaces. The singer remains in Russia but has found it all but impossible to work.
“People are afraid to work with me here because they’re afraid to have consequences after, problems after that,” she said.
Despite the difficulties, Manizha has recorded a single, “Candlelight,” which she is releasing on Wednesday as “a message of hope.”
“Music cannot stop war,” she said. But “what music can do is inspire people.”
Manizha thinks Russia will one day return to the Eurovision fold – but not soon.
“Maybe next generation,” she said. “But for now, relationships are too complicated. And then that makes me sad, you know, because that’s why people are not hearing each other. Because we are separated from each other. And the thing, is music should unite.”


Luxury jewelry brands dazzle at Riyadh showcase

Updated 07 May 2024
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Luxury jewelry brands dazzle at Riyadh showcase

  • Larsen said that House of GOL specializes in high-end jewelry and many people buy it to reflect their heritage and to pass it down to future generations

RIYADH: Saudi International Luxury Week, which is taking place in Riyadh until May 9, showcases a selection of fine jewelry from around the world.

The event offers a unique opportunity for Saudi clients to acquire exclusive and sophisticated pieces.

FerriFirenze, an Italian brand, is gaining significant acceptance among Saudi clients during the event. (Supplied)

House of GOL, a New York-based brand known for its colorful diamonds, has shown a rare pink diamond at the event.

Anna Larsen, head of business development at House of GOL, has been visiting Saudi Arabia for the past three years to meet clients.

Maitraya is an Indian brand that specializes in Khaleeji and Saudi pearls, led by Sanghvi Maitarya, the seventh-generation representative of his family business. (Supplied)

Larsen said that House of GOL specializes in high-end jewelry and many people buy it to reflect their heritage and to pass it down to future generations.

The brand had previously visited the ZAH creative hub in Riyadh and continued its tours across the Kingdom. House of GOL's participation in the luxury week was in collaboration with Clea Nasr, ZAH's head of marketing.

Maitraya is an Indian brand that specializes in Khaleeji and Saudi pearls, led by Sanghvi Maitarya, the seventh-generation representative of his family business. (Supplied)

"We're here today with House of GOL to support them at a luxury jewelry event, following our earlier private event at ZAH. We support local and international designers through all PR and marketing activities, creating targeted strategies to drive exposure and growth, especially in Saudi Arabia," Nasr said.

The brand stands out by involving its clients in the jewelry creation process, hand drawing and painting the designs and then allowing clients to keep the drawings, adding a personal touch to the design experience.

House of GOL, a New York-based brand that specializes in colorful diamonds, brought a rare pink diamond to the exhibition. The brand had previously visited ZAH Creative Hub in Riyadh and continued its tour across the Kingdom during Saudi International Luxury Week. (Supplied)

Another standout brand at the event is Maitraya, an Indian company specializing in pure Gulf pearls, including khaleeji and Saudi pearls.

The brand is led by Sanghvi Maitarya, a seventh-generation representative of his family’s pearl business.

House of GOL, a New York-based brand that specializes in colorful diamonds, brought a rare pink diamond to the exhibition. The brand had previously visited ZAH Creative Hub in Riyadh and continued its tour across the Kingdom during Saudi International Luxury Week. (Supplied)

“My great-grandfather used to travel by boat,” said Maitarya. “This was before the Second World War and the discovery of oil. The oyster industry had declined and no longer produced these kinds of pearls. These are Saudi natural lulu pearls.”

He said that the pearls were no longer found in the Gulf, adding: “We collected them from grandmothers, maharajas, royal families, and other sources around the world.”

FerriFirenze, an Italian brand, is also impressing Saudi clients at the event.

Giulia Lina Callegari, owner of FerriFirenze, said: “We came to Saudi for the first time five years ago. We’ve seen the changes, the enthusiasm, the projects, and we’re always excited to meet local ladies who know jewelry, appreciate style, and often become our guests in Florence.”

FerriFirenze is a family business that began 10 years ago, and Callegari added: “We create jewelry that moves, physically moves when touched, is flexible, and so on. This style of jewelry can only be made by hand in Italy.”