How Ithra’s Seeing & Perceiving exhibition challenges what you see

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Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see. (AN photos by Huda Bashatah)
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Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see. (AN photos by Huda Bashatah)
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Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see. (AN photos by Huda Bashatah)
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Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see. (AN photos by Huda Bashatah)
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Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see. (AN photos by Huda Bashatah)
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Updated 13 July 2021
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How Ithra’s Seeing & Perceiving exhibition challenges what you see

  • Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see
  • Among the international installations was one by the rising Saudi artist Wala Fadul

The King Abdul Aziz Center for World Culture (Ithra) has launched its third art exhibition this year under the title “Seeing & Perceiving” — the first contemporary public show since the outbreak of COVID-19.

The contemporary art exhibition showcases 26 works by 20 leading names in the art scene from around the globe: 60 percent are from the Middle East, including Saudis, while 40 percent are from around the world.

Each artwork mimics the observers’ perception and encourages them to explore the meaning beyond what they can see.

“The exhibit displays art pieces from around the world; each art piece reflects a deep different meaning the more you look at it,” said Ashraf Fakeeh, head of programs at Ithra.

He added: “One of the art missions is to reinterpret life in a different way, perhaps as it speaks to your mind and soul, and the artworks here are challenging as they keep you wondering what are you looking at and how would you read it.”

Among the international installations was one by the rising Saudi artist Wala Fadul, 26, the winner of Ithra’s second Artist Open Call program, held virtually in 2020 with 158 competitive candidates.

The art installation was commissioned by Ithra, titled “Light Upon Light,” and has a sacred geometry pattern inspired by a Qur’anic verse in Surah An-Nur. It is a holographic variable of hologram fans viewed in seven colors.

In an interview with Arab News, Fadul said that her work is based on different perspectives of light and what it symbolizes for humans inspired by the imagery communication between humans and materials, and its meanings.

“In one of John Berger’s (an English critic) art books, there is a fascinating line that says ‘Seeing comes before words and it made me really wonder what comes before seeing, and the answer was the light,’” Fadul said.

She added: “There was a contradiction between me and (my) friends on the fact that light cannot be considered as an existing material. However, to me light is the base of everything. Although we cannot touch it, we realize its impact, and this is the main message that I want to deliver.”

Winning in Ithra’s Artist Open Call program in 2020 gave Fadul the chance to participate in the Seeing & Perceiving exhibition, where her artwork was adopted, financed and facilitated to come into reality.

“My artwork is installed among other local and international artworks in the exhibit of experienced artists, and this is a huge privilege for me,” she said.

Fadul is encouraging all upcoming Saudi artists to prove their art and creativity. “This is our time, we are living the change, and we are part of the journey, so we need the work and creativity will lead us to that.”

What do you see?

Three of the site-specific installations and commissioned pieces were created specifically for and at Ithra, including an eye-catching visual engagement in the escalator that leads to the center’s library by the American artist Darel Carey.

His art challenges the observer’s perception of space and optical illusion. “As far as my goal and what I want to achieve through my art, first and foremost is for people to enjoy it,” Carey told Arab News. “It is a very interactive, immersive type of experience, and also my goal is to have people think about what they see and wonder about how they perceive the way mind and eyes work.”

The contemporary exhibition prompts questions about the reality and nature of artworks. It is full of tricky, vague yet attractive artworks as every installation depends on deriving meaning through many different angles. It opens up endless horizons for understanding the artistic content.

Candida Pestana, Ithra’s contemporary art curator, told Arab News that the Seeing & Perceiving exhibition stimulated critical thinking, so everything a viewer sees perhaps will changes the second, third and last time they look at it. “We want to create the element of surprise, so they can question what they are seeing overall.”

The exhibition began on June 23 and runs until March 26. Ithra art museum receives about 100,000 visitors a year. The center is a creative and interactive public space with different programs for everyone, and it is Saudi Aramco’s most ambitious initiative and the largest cultural contribution to the Kingdom.

Highlights:

* Seeing & Perceiving showcases 26 art installations by 20 international artists.

* Some installations use realistic imagery to create the optical illusion that the depicted objects exist in three dimensions.

* The exhibition aims to make observers perceive artworks in different ways.

* The contemporary art exhibition empowers local talent.

* Ithra is showcasing 60 percent of its newly acquired art collection through the exhibition.


Digital wellbeing summit at Ithra to confront technology’s dangers, advantages

Updated 20 May 2024
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Digital wellbeing summit at Ithra to confront technology’s dangers, advantages

  • Event at Ithra will have over 110 digital experts, 70 speakers from 20 countries

DHAHRAN: After a two-year hiatus, the second Sync Digital Wellbeing Summit 2024 returns to the King Abdulaziz Center for World Culture, or Ithra, this week for discussions and debates by world-leading experts.

Scheduled for May 22 and 23, Ithra will be buzzing with all things that merge technology and wellness, and will feature 110 digital experts and 70 speakers from 20 countries.

The second Sync Summit is scheduled for may 22 and 23, and Ithra will be buzzing with all things that merge technology and wellness. (Supplied)

“The Sync Summit 2024 is not just another conference. It’s a platform for meaningful discussions, critical reflections, and collective actions for a better digital future,” said Wadha Al-Nafjan, head of digital wellbeing at Sync. “As we navigate the digital paradox, it is vital to recognize our responsibility in shaping the world we want to live in.”

Topics including algorithmic homogenization and identity loss, AI’s impact on the creative industries, and misinformation will be tackled under the theme “Confronting the Digital Paradox.”

The second Sync Summit is scheduled for may 22 and 23, and Ithra will be buzzing with all things that merge technology and wellness. (Supplied)

The summit will be held at the Ithra headquarters in Dhahran, with a live stream available.

Day one, organized around the sub-theme “Cuts Both Ways: Wrestling with the Tensions of the Digital Era,” includes seven panels, two fireside chats and two keynote talks.

It’s a platform for meaningful discussions, critical reflections, and collective actions for a better digital future.

Wadha Al-Nafjan, Head of digital wellbeing at Sync

Day two, centering on the sub-theme “A Digital Renaissance: Shaping Our Relationship with Digital for a Better Future,” will have eight panels and three keynotes. In addition, it will have the Sync Spotlight series finale, for which creative influencer Omar Farooq will screen his new documentary, “The Dark Side of Japan.”

Although there was no summit last year at Ithra, the Sync team conducted extensive research globally that led to some compelling findings.

Wadha Al-Nafjan, Head of digital wellbeing at Sync

According to their research, 81 percent of those surveyed are concerned about the unsolicited collection of their personal data, 53 percent struggle to maintain boundaries between their work and personal lives, while 66 percent believe that the internet needs more regulation. About 73 percent of participants think social media was designed to be addictive.

Furthermore, the average time spent online daily has gone down, compared with 2021. About 68 percent claim to understand AI, 87 percent think technology is allowing people to work and study more flexibly, and 91 percent use digital devices to access resources including books and tutorials.

The second Sync Summit is scheduled for may 22 and 23, and Ithra will be buzzing with all things that merge technology and wellness. (Supplied)

“Never before has the world been so connected to everything and everyone. We know technology has improved our lives, but it also has the painful potential to distract and harm,” Ithra said in a statement to Arab News. The summit’s activities are geared toward “ensuring that we as humans come together to keep digital technology in check and working towards the greater good, safeguarding its future, and our own.”

The event will bridge the gap between academic research, industry practices, and end-users regarding digital wellbeing through a variety of sessions.

Sync Spotlight

A series of sessions will run in parallel to the two-day Sync Summit stage program, offering greater interaction between speakers and audience members.

Sync Action Forum

The worldwide Gen Alpha Forum, an initiative developed by Sync Research with McCann Worldgroup, will see the community expand to include Saudi Arabia parents of Gen Alpha children, as well as educators, and other Gen Alpha stakeholders.

Majlis

In partnership with Johns Hopkins, which has a local hospital at Aramco, the Majlis will host three sessions exploring digital wellbeing with educators, researchers and students.

The Plaza

The gamified experience will dive into the findings compiled by the Sync Research team through the lens of three projects which were developed with partners Horizon Group, PSB and McCann Worldgroup.

Sync Immersive

In this interactive journey, the organizers promise to provide a three-step experience designed to impact participants’ emotions and understanding, while guiding them into navigating the complexities of digital ethics.

Podcast

The booth experience will serve both as a studio to record live podcast episodes hosted by Mo Gawdat, formerly of Google, and as a multi-functional space for hosting media interviews. Saudi Arabia’s Mohammed Islam, host of the English-language podcast, The Mo Show, will also be present.

Other notable speakers this year include US data scientist and AI specialist Rumman Chowdhury; Saudi Arabia athlete, FIFA World Champion and owner of an esports team, Abdulaziz Alshehri; and Apple Inc. co-founder Steve Wozniak.

One May 21, Ithra will host the Global Digital Wellbeing Assembly, a gathering of experts from across the Kingdom and the globe to discuss the guiding objectives and roadmap for a new digital wellbeing society.

Registration is now open and attendance is free.

 


Saudi artistry blooms in floral sculptures

Sara Abdullah’s two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower.
Updated 20 May 2024
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Saudi artistry blooms in floral sculptures

  • To the artist, nature signifies creativity, inspiration and deep magical meaning, she told Arab News

RIYADH: Saudi artist Sara Abdullah’s delicate floral sculptures find inspiration in the nuances and harmony between humanity and nature.

To the artist, nature signifies creativity, inspiration and deep magical meaning, she told Arab News.

“Both (art and nature) are means of exploring the deeper aspects of the human existence. As artists, we can capture and express the intangible aspects of our lives that defy simple verbal descriptions,” she said.

Sara Abdullah’s two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower. (Supplied)

Abdullah credits her artistry to her role model, her father, who introduced her to a multifaceted world of art at a young age.

“My story is like my dad’s — we started by painting characters and self-portraits but eventually transitioned to creating nature artwork,” she said.

“My father’s deep love for art and trying to convey his artistic message to the world is what makes me continue to search more for the deep meaning between art and nature and how to transform my ideas into a valuable work of art that includes a purposeful message that touches people.”

Sara Abdullah’s two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower. (Supplied)

Her two art collections, Alstroemeria (2024) and Anemone (2023), are each dedicated to the spotlighted flower.

In the Alstroemeria collection, her sculptures begin with the design of the wood base, which is curved to reflect the feeling of containment and support.

She handcrafts pieces of the flower with twisted and connected edges, representing the petals from the beginning of their life until their flowering.

“Its distinction lies in its longevity among the flowers, and this is what adds to the true meaning of the artwork, which is connection, stability, love, friendship … feelings and bonds that are established after a long period of relationship,” the artist explained.

The message of the artwork is the “close connections and depth of feelings between people and the ability to support and contain each other as we go through life’s experiences.”

Abdullah describes her Anemone collection as “nature embodied in abstract sculptures … a harmonious dance between light and shadow.”

The wildflower has long inspired artists and storytellers, appearing in various works of Arabic literature, including in poems, stories and folk tales.

Anemone flowers generally grow open and wide, with a dark center.

Through this collection of sculptural works, Abdullah embodies the feeling of joy accompanied with dancing.

“When something happy happens in your life, then you start dancing as if you seem to be dancing lightly in the open air and you feel that you are open to the world due to the influence of this happiness. This simile reflects when you see the cold and light wind between the flowers, making them sway between each other lightly,” she said.

“When I prepare to create an art collection, I always try to choose pastel colors that are calm and comfortable to look at as natural colors, in addition to using materials to highlight some pieces or lines in the painting, which adds a three-dimensional touch to the artwork.”

Abdullah also described her outlook on life: “Try to deal with life as if you are like a flower that grows in its beautiful shape … and no matter how the wind blows on her at the end, she blooms beautifully again. Be always like flowers bloom.”

 

 


Saudi FM expresses Kingdom’s solidarity with Iran after helicopter crash

Saudi Foreign Minister Prince Faisal bin Farhan spoke with Iran’s acting Foreign Minister Ali Bagheri Kani on Monday.
Updated 20 May 2024
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Saudi FM expresses Kingdom’s solidarity with Iran after helicopter crash

  • Iranian president, foreign minister and seven others died when the aircraft they were traveling in went down on Sunday in a remote area of northwestern Iran

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan expressed the Kingdom’s solidarity with Iran and its people following the death of President Ebrahim Raisi and Foreign Minister Hossein Amir-Abdollahian in a helicopter crash on Sunday. 

During a phone call with Iran’s acting Foreign Minister Ali Bagheri Kani on Monday, Prince Faisal expressed his condolences over the deaths of the president and his accompanying delegation.

Raisi, 63, his foreign minister and seven others died when the aircraft he was traveling in went down on Sunday in a remote area of northwestern Iran, where the wreckage was only found on Monday morning.


267,657 pilgrims have arrived so far in Saudi Arabia ahead of Hajj

Updated 20 May 2024
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267,657 pilgrims have arrived so far in Saudi Arabia ahead of Hajj

  • This year’s Hajj, for the Hijri year 1445, is expected to begin on June 14 and conclude on June 19

RIYADH: As of May 19, 267,657 pilgrims had arrived in Saudi Arabia via air, land and sea ahead of Hajj, according to the General Directorate of Passports.
The directorate said it is using all of its resources to ensure entry procedures for pilgrims at all arrival points run as smoothly as possible by providing platforms that use the latest technical advances and fully trained staff proficient in many languages, the Saudi Press Agency reported.
This year’s Hajj, for the Hijri year 1445, is expected to begin on June 14 and conclude on June 19. Flights carrying pilgrims began to arrive in the Kingdom on May 9.


Saudi Libraries Commission expands Culture House network to Asir region

Updated 20 May 2024
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Saudi Libraries Commission expands Culture House network to Asir region

  • Culture Houses are part of the Quality of Life Program, an initiative under Saudi Arabia’s Vision 2030

RIYADH: The Libraries Commission recently inaugurated a Culture House in the Ahad Rafidah Governorate, Asir region.

This follows a comprehensive renovation and upgrade of the public library, transforming it into a cultural hub for the area. The launch event was attended by the commission’s CEO, Dr. Abdulrahman Al-Asim.

The program aims to develop cultural infrastructure, enhance cultural sites, and improve public libraries. (SPA)

Al-Asim told the Saudi Press Agency that the project aims to fulfill the needs and aspirations of visitors, from its architectural design and facilities to the annual schedule of events. He noted that each Culture House in the Kingdom has a clear plan for sustainability and activation, offering acultural activities for all community segments, including children, adolescents, writers, intellectuals and artists.

According to SPA, since its soft opening four months ago, the Culture House in Ahad Rafidah has attracted nearly 30,000 visitors.

The Culture House has learning spaces, a children’s theater, a main theater, and a library with designated reading areas. It also includes spaces for innovation and technology. The facility offers several amenities, such as prayer rooms for men and women, meeting rooms, a printing and computer center, a cafe, and a shop.

Culture Houses are part of the Quality of Life Program, an initiative under Saudi Arabia’s Vision 2030. The program aims to develop cultural infrastructure, enhance cultural sites, and improve public libraries, thereby contributing to the Kingdom’s cultural and artistic advancement in line with the goals of Vision 2030.