Recipes for Success: Chef Mustafa Diab offers advice and a tasty lamb mansaf recipe 

Mustafa Diab is the executive chef at AlUla’s Cloud7 Hotel & Residences. (Supplied)
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Updated 21 March 2025
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Recipes for Success: Chef Mustafa Diab offers advice and a tasty lamb mansaf recipe 

DUBAI: Jordan-born Mustafa Diab is the executive chef at AlUla’s Cloud7 Hotel & Residences. 

Diab dedicated a significant portion of his 20-year career to the Four Seasons Hotel, an experience that exposed him to a wide range of cuisines. He has also successfully launched numerous restaurant branches. 

Here, he talks to Arab News about his love for good beef and his preferred management style. 

When you started out, what was your most common mistake? 

I like to challenge myself. So, when I started my career, I would take everything on my shoulders, on my own. Not because I didn’t want anyone to share with me, but because I wanted to prove to myself that I could take it. Later on, though, I realized that collaboration and delegation are the keys to success. 




Charchood restuarant. (Supplied)

What’s your top tip for amateurs? 

Master the basics. And be patient with the process. Don’t rush. You have to understand the ingredients — whether they match or not. That is the most important thing. Then after that, you have to fix the flavors and pay great attention to the seasoning. Taste as you go. Also, stay curious. Experiment and don’t be afraid of mistakes. 

What one ingredient can instantly improve any dish? 

Salt. We have so many kinds of salt, but you need to know exactly when to use which kind of salts. If I want to do homemade pickling, I use sea salt — rough sea salt, not fine sea salt. To finish off a platter of protein — fish, meat, lamb, or chicken — I prefer flaky salt. Recently, I sourced Himalayan sea-salt bricks, and I can even present my beef dishes on top of it — when it’s hot, it takes flavor from the stone itself. Wow! And I got some smaller bricks that I can grate on my meat dishes. 

When you go out to eat, do you find yourself critiquing the food? 

It’s hard not to notice the details when you work in the same industry, but I try my best to approach it with an open mind. As long as there is consistency, quality and good presentation, then it’s fine. 

What’s your favorite cuisine? 

I’m a very simple person. I just grab very simple stuff — comfortable, tasty, nicely presented with a good quality. That’s enough for me. For example, a well-seasoned piece of chicken, or a well-seasoned piece of fish with green vegetables, and I’ll be happy. 

What’s your go-to dish if you have to cook something quickly at home? 

I just grab a piece of pita bread. I slice an avocado — I love avocado — with some chopped onion, chopped coriander, chopped tomato, a drizzle of olive oil, with a squeeze of lemon juice, and that will be amazing for me. 

What customer behavior most annoys you? 

Nothing will annoy me. But let’s call it a challenge when they dismiss or don’t appreciate the effort that went into a dish. Because, you know, every dish we cook, we cook with love — it has potential, it has thought behind it, it has so many ideas in there. So, if the dish was well presented and there was nothing wrong with it, and the guest’s feedback is that it’s not good, that’s a challenge for me. If there’s something wrong with a dish, we all accept that. But when there is nothing wrong, that’s a challenge for me. 

What’s your favorite dish to cook and why?   

All cuts of beef. Especially the toughest cuts. If you don’t eat beef, don’t be a chef. If you like your beef when it’s done more than medium-well, think about it, please. To feel it and to appreciate the way the farmers bred this beef, you should eat it medium-well, not well-done. When you eat it well done, there’s no difference between Black Angus and Wagyu. 

As a head chef, what are you like?  

I try to treat people the way I want to be treated, so I treat my staff with respect. That’s a common language wherever you go in the world. When you respect your staff, they will, for sure, pay that respect back. Sometimes I’m firm when it comes to the quality and consistency, because when you cook, you should pay full attention to what you are doing. But I’m calm in the kitchen. I’m not shouting and screaming. 

RECIPE 

Chef Mustafa’s lamb mansaf 

INGREDIENTS: 

350g lamb on the bone; 1000g water; 10g black lime; 2g cardamom; 2g bay leaves; 1g black peppercorn; 30g salt; 150g short grain rice; 10g halved almonds; 10g pine nuts; 5g parsley (chopped); 30g ghee; 20g samen balady (local ghee); 1g turmeric 

For the yoghurt sauce (mansaf laban): 600g laban; 200g labneh; 200g dry yoghurt (jameed)  

INSTRUCTIONS:  

1. Wash the lamb under running water with salt for 10 minutes. Ensure all the blood is out of the lamb.  

2. Boil with the bay leaves, cardamom, black lime and black peppercorn until 80 percent cooked.  

3. Take the lamb meat out of the stock and put aside. Put the yoghurt sauce ingredients in a pan and mix on a simmering heat until boiling. Add the lamb to the yoghurt sauce and continue to cook on low heat.  

4. Wash the rice and allow to soak for 20 minutes.  

5. Strain the rice. Place the ghee in a pot on a low heat. Add the rice, salt and turmeric. Add boiling water, and allow to cook on low heat for 10 minutes.  

6. Serve. See picture for plating suggestion. 


Al-Oudah Mosque restoration in Diriyah revives Najdi heritage

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Al-Oudah Mosque restoration in Diriyah revives Najdi heritage

  • Second phase of the Prince Mohammed bin Salman Project for Historic Mosques aims to preserve the mosque’s rich history and Najdi architectural heritage
  • Recognizing its cultural significance, the project will use traditional Najdi construction methods, including mud and natural materials suited to the desert climate

RIYADH: The historic Al-Oudah Mosque in Diriyah, a key heritage site in Riyadh region, is being restored as part of a national project, the Saudi Press Agency reported.

The second phase of the Prince Mohammed bin Salman Project for Historic Mosques aims to preserve the mosque’s rich history and Najdi architectural heritage, restoring it to its former splendor.

One of the region’s oldest worship sites, Al-Oudah Mosque has been restored three times, with the last renovation about 15 years ago, according to the SPA.

Recognizing its cultural significance, the project will use traditional Najdi construction methods, including mud and natural materials suited to the desert climate.

The renovation will expand the mosque from 794 sq. m for 510 worshippers to 1,369 sq. m for 992 worshippers.

This expansion reflects a commitment to preserving history while meeting the community’s evolving needs, the SPA reported.

It is one of 30 mosques in 13 regions in phase two of the project, which includes six in Riyadh, five in Makkah, four in Madinah, three in Asir, and two each in the Eastern Province, Jouf and Jazan. The Northern Borders, Tabuk, Baha, Najran, Hail and Qassim each have one mosque in the scheme.

Phase two follows phase one, completed in 2018, in which 30 mosques were restored in 10 regions. Saudi companies and heritage restoration experts are leading the development efforts, the SPA reported.

The project balances traditional and modern construction standards, ensuring the sustainability of mosque components while preserving heritage.

Saudi companies and engineers specializing in heritage restoration are leading the development efforts, according to the report.

The project’s four strategic objectives include restoring historic mosques for worship, preserving architectural authenticity, highlighting the Kingdom’s cultural heritage, and enhancing the religious and cultural significance of religious sites.


Saudi creators bring a modern twist to ‘Fawazeer Ramadan’ for TikTok

Updated 26 March 2025
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Saudi creators bring a modern twist to ‘Fawazeer Ramadan’ for TikTok

DUBAI: The “Fawazeer Ramadan” franchise, originally made famous in Egypt by iconic performers Nelly and Sherihan, has been reimagined for the TikTok generation.

The classic TV show, known for its musical riddles and whimsical performances, has been a staple of Ramadan entertainment for decades.

This year, Saudi creators Lama Najjar and Mohammed Subaie returned for their second year adapting the format, bringing a fresh and modern twist to the beloved show for a new audience.

“Honestly, it was such a fun and beautiful experience! When we first started, we never expected people to engage with it so much,” Najjar told Arab News.

“‘Fawazeer Ramadan’ is part of so many people’s memories, and it felt great to bring it back in a new way that fits today’s generation,” added Subaie. “TikTok gave us the space to connect directly with people and see their instant reactions to each episode.”

Lama Najjar, deeply involved in shaping the content, emphasized the importance of connecting with the audience. (Supplied)

As Ramadan comes to a close, the creators reflected on the evolution of the show, which featured challenges and riddles.

“This year, we wanted to bring new ideas and challenges that people might not expect,” said Subaie. “We’ve improved a lot in terms of filming and editing, and even the riddles themselves are a bit smarter and harder!”

Najjar, deeply involved in shaping the content, emphasized the importance of connecting with the audience. “Honestly, I like to be part of everything! From writing the riddles to choosing the ideas and how we present them. I love adding my personal touch and making sure the content feels close to the audience and reflects my style. And of course, interacting with the audience is a huge part of what I do — they’re the reason for our success, so I always want to make sure they feel connected,” she shared.

The show has resonated with younger audiences, many of whom are experiencing “Fawazeer Ramadan” for the first time, according to Subaie.

“Even those who never watched the original ‘Fawazeer’ are now loving the idea. People are waiting for each episode, and that’s the best proof that it connects with them,” said Subaie.


Your guide to Art Week Riyadh: From flagship shows to studio tours in JAX District

Updated 26 March 2025
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Your guide to Art Week Riyadh: From flagship shows to studio tours in JAX District

RIYADH: Art Week Riyadh’s inaugural edition is set to take place from April 6-13 under the theme “At The Edge.” The event will feature works from more than 45 galleries, private and institutional collections, and a public program of talks — here is your guide to getting the best out of Art Week Riyadh. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Flagship exhibition: ‘At The Edge’

First up, visitors will be able to immerse themselves in the event’s flagship exhibition which is curated around three thematic threads — “Everyday Life,” “Landscapes,” and “Motifs.”

Bashaer Hawsawi’s ‘Warm Space 1,’ 2018, Red Broom with African Cloth. (Courtesy of Hafez Gallery and the artist)

The exhibition features contributions from prominent galleries across the Middle East, Africa, Asia, and Europe, including A. Gorgi Gallery (Tunisia), Ahlam Gallery (Saudi Arabia), Albareh Art Gallery (Bahrain), Al Markhiya Gallery (Qatar), L’Art Pur Gallery (Saudi Arabia), AV Gallery (Saudi Arabia), Ayyam Gallery (UAE, UK), Carbon 12 (UAE), Efie Gallery (UAE), Experimenter (India), Galerie Krinzinger (Austria), Gallery Misr (Egypt), Galerie La La Lande (France), Galleria Continua (Brazil, China, Cuba, France, Italy, UAE), Green Art Gallery (UAE), Hewar Art Gallery (Saudi Arabia), Hunna Art (Kuwait), Lawrie Shabibi (UAE), Layan Culture (Saudi Arabia), Le LAB (Egypt), Leila Heller Gallery (UAE, USA), Lisson Gallery (China, UK, USA), Mennour (France, UK), Nature Morte (India), Perrotin (China, France, Hong Kong, Japan, South Korea, USA), Sabrina Amrani (Spain), Selma Feriani (Tunisia), The Pill® (France, Turkey), The Third Line (UAE), Tabari Artspace (UAE) and Wadi Finan Art Gallery (Jordan). 

Al Mousa Center in central Riyadh

Up next, visitors should head over to the Al Mousa Center in central Riyadh where more than 15 galleries will present both solo and group exhibitions specially conceived for Art Week Riyadh.

Once a bustling commercial complex, the center is now a cultural destination that houses around 20 art galleries. Galleries participating in Art Week Riyadh include Abdullah Hammas Studio, Abstract Art Gallery, Ahlam Gallery, Alajilan Gallery, Alestudio, AMA Art Venue, Art Arif Gallery, Art Connection, AV Gallery, China Saudi Cultural Art Association, ERRM Art Gallery, Frame Art Gallery, Kadi Art Gallery, Kenz Gallery, Mahd Alfnon Gallery, Marsami Art Gallery, Ola Art Gallery, Takeib For Arts, Tequin Art Gallery, WHJ ALLON and Wrd Art Gallery.

Invited exhibitions

JAX District will also host three exhibitions by invited collections, offering a rare insight into Saudi Arabia’s evolving cultural identity. Presented under the title “Collections in Dialogue,” these exhibitions emphasize the role of patronage and collecting in shaping and preserving visual culture.

The section includes a curated presentation of artworks from the collection of the King Abdulaziz Center for World Culture (Ithra). Featuring works by artists such as Do Ho Suh, Maha Malluh, Michelangelo Pistoletto, Mohammad Alfaraj, Hazem Harb, Gregory Mahoney, Moath Alofi, and Sultan bin Fahad, the exhibition highlights the interplay between material memory, transformation, and the landscapes that shape identity.

Neïl Beloufa’s ‘Double Standard,’ canyon, 2024, MDF and rubbio varnish. Neil Beloufa, Adagp, Paris, 2025, Photo. Archives Mennour. (Courtesy the artist and Mennour, Paris)

Meanwhile, Art Jameel will present a selection of eight single-channel artworks from its collection that highlight the diverse and evolving landscape of experimental film and video art practices in the region. This presentation brings together video works by artists from Saudi Arabia and the Arab world, largely made in the 2010s, that reflect on a decade marked by profound transformations. Many of the featured works are early and foundational works by major artists such as Ahaad Alamoudi, Hiwa K, Bouchra Khalili, Basim Magdy, Ahmed Mater, and others. 

Also, “Abstract Horizons: Three Generations of Saudi Art” by the Saudi Research and Media Group (SRMG) will go on show. Borrowing its title from a work by Saudi artist Mohammed Al-Saleem, the exhibition draws from SRMG’s collection to explore the progression of Saudi abstraction through the practices of key figures such as Al-Saleem, Abdulhalim Radwi and Taha Al-Sabban, who merged global influences with local traditions. Their legacy is reinterpreted by a new generation of creatives, including Raeda Ashour, Rashed AlShashai and Zaman Jassim.

Talks, workshops and studio tours

A series of talks and workshops will reflect on themes and questions facing the visual arts in Riyadh, more widely in Saudi Arabia, and around the world. Curated by Shumon Basar and titled “How to Art World? Lessons in Value,” the program will run at JAX District.

A “Moving Image” program will highlight the medium’s capacity to explore complex personal, cultural and social narratives, and feature the work of Theaster Gates, Zineb Sedira, Hicham Berrada, Bani Abidi, Laurent Grasso, Afra Al Dhaheri, Mohamed Bourouissa, Sarah Brahim, Farideh Lashai, and Hashel Al-Lamki.

At JAX District, some of Saudi Arabia’s leading artists — including Ahmed Mater, Ayman Zedani, Marwah AlMugait, and Muhannad Shono — will open the doors to their studios, while resident galleries Athr, Hafez and Lift will present a lineup of exhibitions, panel discussions, and interactive workshops. 

The Saudi Arabia Museum of Contemporary Art (SAMoCA) will present the exhibitions titled “Art of the Kingdom” and “Adaptability Ceramics,” alongside a series of workshops and pop-ups.


Brazilian actress Sabrina Petraglia bridges cultures through film in the UAE

Updated 26 March 2025
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Brazilian actress Sabrina Petraglia bridges cultures through film in the UAE

DUBAI: Brazilian actress Sabrina Petraglia, known for her roles in TV and cinema, has found a new home and purpose in the Middle East. 

Since moving to Dubai in January 2023 with her husband and three children, Petraglia has embraced the region’s culture and is making inroads in her attempt to forge cross cultural understanding.

“I never imagined loving the Middle East this much. Whatever I had imagined about the Middle East was totally wrong. The life here is incredible, safe, so beautiful. I like the mentality here. I feel that here your dreams are possible if you work hard,” she told Arab News. 

Petraglia is keen to foster collaboration between Brazilian and Arab artists. (Supplied)

Petraglia created her latest project, “Ocean of Mothers,” in Dubai in January, in a move that she says was the first time a Brazilian production hit the silver screen in the UAE.

The film follows three friends — Thais, Erika and Zilda — who connect through motherhood in Santos, Brazil. Despite their busy lives, their friendship becomes a source of strength and support. The film touches on themes like losing one’s identity as a mother, feeling overwhelmed, mental health struggles, and the importance of having a support network.

 

 

“We started by booking a room for 60 people,” she said, then the number of guests kept increasing until it reached around 400 guests. “When I saw the cinema full of people and a lot of women from different nationalities, I cried. I could not believe it,” she said.

“I saw a lot of support from women here, because the film is about women. It was so precious for me,” she added. 

 

 

Petraglia is keen to foster collaboration between Brazilian and Arab artists.

“This is one big dream of mine to work with Saudi filmmakers and show Brazilian culture here and sharing Middle Eastern stories with Brazilians also,” she explained.

“Here, I can see big opportunities, and I’d like to show not just to Brazilians, but to the world, what it’s like here. The cinema is the best way to do this,” she said. 

Petraglia said she is working on new projects that challenge stereotypes about motherhood and female empowerment. (Supplied)

Inspired by her interactions with women in the UAE, Petraglia said she is working on new projects that challenge stereotypes about motherhood and female empowerment.

“For now, it is all only on paper, but I am looking for good partners in Brazil. I am speaking to big channels in Brazil,” she said. 


Ahmed Helmy to be honored at US, Swedish film festivals

Updated 26 March 2025
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Ahmed Helmy to be honored at US, Swedish film festivals

DUBAI: Egyptian actor Ahmed Helmy is set to be honored at the 4th edition of the Hollywood Arab Film Festival in California and the Malmo Arab Film Festival in Sweden in April.

The actor, who started his TV career in 1993 before he landed a role in 1998 film “Aboud Ala El Hedoud,” will make an appearance at both events.

 

 

The Hollywood Arab Film Festival will take place in Glendale, California, from April 9-13, while the 15th edition of the Malmo Arab Film Festival will run from April 29-May 5.

Helmy, 55, is a comedic actor known for his roles in “Excuse My French” (2014) and “Sorry To Disturb” (2008). He also made a guest appearance in 2024’s Egyptian-Saudi co-production “The Tale of Daye’s Family,” by filmmaker Karim El-Shenawy.