Saudi classic car collector brings slice of history to heart of KSA’s desert

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Dr. Nasser Al-Massari, a Saudi academic and former cultural attache to the US turned his love and passion for classic cars into a personal museum at his home in Riyadh. (AN photos by Yazeed Alsamrani)
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Updated 08 August 2021
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Saudi classic car collector brings slice of history to heart of KSA’s desert

  • Nasser Al-Massari began his 36-car fleet,  which includes a 1946 Cadillac, in bustling 1980s LA

MAKKAH: Collecting cars is more than just a hobby for some car enthusiasts, with many seeking to preserve objects that appear to be frozen in time.

Every classic car is a little slice of history that tells a story. It is not simply an automobile, but a personal story of the designer, manufacturer and buyer.
It is also a story of survival, with the automobile industry for decades producing faster, cheaper and economically friendly cars that lack the details of classic vehicles.
Classic cars were created in an analog world where designers used pencil and paper to create elegant shapes and flowing lines, something that is difficult to replicate in the computer-based design world of today.
Dr. Nasser Al-Massari, a retired Saudi academic, turned his love and passion for classic cars into a personal museum at his home in Riyadh, displaying and proudly showcasing to the public a collection of 36 classic vehicles from all over the world, with an estimated value of up to $6.7 million.
Speaking to Arab News, he said that the oldest car he owns dates back to 1929, while the newest was manufactured in 1979. Most are American cars. He repairs and restores them himself, and hosts weekly gatherings with other classic car enthusiasts in the Kingdom’s capital, Riyadh.
His passion for classic cars began while working in Florence, Italy, aged 19, where he ran his father’s company in 1978. While there, he attended the famous Mille Miglia classic and vintage car race and was instantly hooked.

HIGHLIGHTS

• The oldest car dates back to 1929, while the newest was manufactured in 1979. Most are American cars. Dr. Nasser Al-Massari repairs and restores them himself, and hosts weekly gatherings with other classic car enthusiasts in the Kingdom’s.

• His passion for classic cars began while working in Florence, Italy, aged 19, where he ran his father’s company in 1978. While there, he attended the famous Mille Miglia classic and vintage car race and was instantly hooked.

• Al-Massari jokingly described his hobby as ‘luxury car-hunting fever,’ which he said prompted him during his time in LA to use his neighbor’s garage to store newly bought vehicles.

“The beauty of the cars was something else — the lines, the quality finishing was amazing. There was an aesthetic quality to them,” he said.
In 1983, Al-Massari was sent as a scholarship student to the US by King Saud University for his master’s degree in San Diego, California. A year later, he made his first car purchase, buying a 1946 Cadillac Series 62 for $4,600. He drove the beauty from Denver, Colorado, all the way to San Diego.
He then completed a Ph.D. and graduated from the University of California, Los Angeles, in 1989. He attributed the main growth of his collection to his time spent in LA in the early 1980s, when the city was already well known as a playground for rich Hollywood actors and celebrities, as well as a center of trade and industry. Al-Massari jokingly described his hobby as “luxury car-hunting fever,” which he said prompted him during his time in LA to use his neighbor’s garage to store newly bought vehicles.
“Scholarship students in the US have always found hobbies other than their studies. Some loved swimming, hiking, running and various sports, but owning classic cars was something that I loved and which overtook every other sport or hobby,” he said.
For more than 30 years, Al-Massari has bought and sold cars to continuously build and upgrade his collection, but has preserved 36 highly exclusive and rare vehicles, some of which are the sole survivors of a fleet or series.
“It is difficult to say which would be my favorite. It’s like you’re asking me who my favorite child is. But if I had to choose one of all my cars, my favorite has to be the 1929 Cadillac Boattail Speedster. It’s the only one left in the world, and it’s not for sale,” he said, adding: “It’s the bread and butter of cars.”

I owned my first car at the age of 15 and I was very fond of it. I would repair any small malfunction, and I believe that’s when the fire in me sparked.

Dr. Nasser Al-Massari

It could be argued that the dashing two-toned pewter blue and sea blue two-seater Cadillac is the creme de la creme of Al-Massari’s collection, but his beautiful fleet sitting in a cozy 2,000-square-meter garage also includes an impressive assortment of Buicks, Willys, Fiat, Chryslers, Chevrolets and Corvettes. Other notable cars are a pink Ford Thunderbird manufactured in 1956, and a Cadillac Seville, one of only 20, bought from Grandeur Motorcar Company in Florida.
It is clear from his collection that he prefers the Cadillac over others. “Having lived in the US for a long time, it’s the Rolls Royce of US cars, and they’re great,” Al-Massari said.
Having retired from his long career as an academic, his passion is not limited to buying the rare finds, but the fascinating details of each vehicle. Like many modern items, contemporary cars do not always encourage a hands-on approach.
Modern cars are increasingly digital, and their mass-produced parts are often tinker-proof, which Al-Massari finds unappealing.
“The rarer the find, the better. I love looking underneath the hood and working on the cars, and repairing them if need be. Restoring them to their former glory is something I love to do — maintaining them and working with a team of help. I enjoy rolling up my sleeves and working on them myself. Spare parts can be difficult to get — the older the model, the harder they are to find — but with databases, communities, societies, groups and clubs found everywhere today on the internet, you’ll eventually find what you want,” he said.
“I owned my first car at the age of 15 and I was very fond of it. I would repair any small malfunction, and I believe that’s when the fire in me sparked.”
And despite his countless purchases of rare classic cars, Al-Massari still finds a thrill in buying a rare beauty.
He told Arab News that he is on a constant hunt at car auctions worldwide and keeps a close eye on the rise and fall of prices, adding that he would like to convert his collection into a proper asset, like real estate and stocks. Al-Massari is now aiming to own up to 50 cars on the condition they are among the rarest in the world, but the competition is fierce.
“Acquiring rare cars can be a tough competition, especially with amateurs from around the world, traders and the wealthy. Some cars are worth $500,000 that could suddenly see a jump to more than $2 million due to competition,” he said.
Al-Massari also wants to turn the garage into an official museum after obtaining the proper permits. Since 2014, visitors at the Granada Market in Riyadh have ogled the finest of Al-Massari’s collection as he and a group of classic car enthusiasts, who formed a group called “Cars and Coffee,” showcase their beauties at the open market every Friday morning.
“I still take my cars out for a joyride once a week each. A car is made to be driven, not displayed,” he said.

 


Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo

Updated 59 min 16 sec ago
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Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo

  • Saudi Ministry of Foreign Affairs: Kingdom hopes accord would meet “the hopes and aspirations of two peoples for development and prosperity”

RIYADH: Saudi Arabia has welcomed the signing of a peace agreement between Rwanda and the Democratic Republic of the Congo, in a deal facilitated by the United States with support from Qatar, the Saudi Press Agency reported.

In a statement issued on Saturday, the Saudi Ministry of Foreign Affairs said the Kingdom hoped the accord would meet “the hopes and aspirations of the two peoples for development and prosperity,” and contribute to “regional and international security and peace.”

The ministry also praised “the diplomatic efforts and constructive role played by the United States of America and the State of Qatar in this regard.”

The agreement, finalized on Friday, aims to de-escalate long-running tensions between Rwanda and the DRC, which have intensified in recent years over accusations of mutual support for armed rebel groups operating along their shared border.

The most prominent of these is the M23 militia, which Kinshasa has accused Rwanda of backing — a charge Kigali denies.

Efforts to mediate between the two neighbours have gained urgency amid a worsening humanitarian crisis in eastern DRC, where conflict has displaced more than seven million people.

The US and Qatar have played key roles in recent months in bringing the two sides to the table for talks, culminating in the formal agreement to ease hostilities and commit to renewed dialogue.


Jeddah exhibition gives internet cafes an artistic reboot

Seventeen artists and collectives have had their work on display at ‘Internet Cafe,’ an exhibition inspired by the digital age.
Updated 28 June 2025
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Jeddah exhibition gives internet cafes an artistic reboot

  • Local artists revive communal, quirky, deeply human qualities of early web era

JEDDAH: Internet cafes in Jeddah were once popular spots with pay-by-the-hour internet access; they have now provided the inspiration for the city’s latest exhibition.

In a collaboration between Kham Space and Estiraha, 17 artists and collectives have had their work on display at “Internet Cafe,” an eight-day exhibition which explored the concept of connection and intimacy in the digital age.

Asaad Badawi’s installation paid tribute to early programmer culture. (Supplied)

Abeer Sultan, who curated the exhibition alongside Mbarak Madhi and Fai Ahmed, spoke to Arab News about the early process in contemplating the theme.

The idea for the exhibition, which concluded on Friday, stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.

HIGHLIGHTS

• The idea for the Jeddah exhibition stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.

• Some of the works were meant to act as ‘hyperlinks’ to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.

She said: “We wanted to do something that is about us now, and maybe the future as well; not only going back to things for nostalgia or the good old days, as they say.

‘Closed eyes under a sunny sky I’ by Zahiyah Alraddadi. (Supplied)

“Maybe it has something that we can use today, especially now that there’s a movement of people trying to slow down, using dumbified devices throughout the internet.”

Instead of creating a literal internet cafe, the curators focused more on the nuances a cybercafe used to have.

"F.A.R." by Dalal Madhi's work. (Supplied)

Their approach to the space was categorized into three themes: “Disconnected Understanding, Linked Source,” “In the Shadow of a Doubt, Light My Screen,” and “Whirling Algorithms of a Distant Dream.”

Artist Zahiyah Alraddadi, who usually paints works focusing on the significance of the mundane, took oil to canvas to paint “Closed Eyes Under a Sunny Sky I” and “Familiar Features.”

The a piece by Ahaad Alamoudi, “Land of Dreams” takes a humorous approach. (Supplied)

Her work feels meditative and was intended to slow visitors down as they walked through the space — much like the feel of a buffering screen page.

Some of the works were meant to act as “hyperlinks” to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.   

Studio bin Hattan, which is led by artist Elham Dawsari, displays “Cultural Override” derived from her father’s archives from the 80s, who was interested in computer graphics. (Supplied)

Anhar Salem’s work “After Now” was a curtain imprinted with thumbnails of YouTube videos. The artist conducted a survey asking people between the ages of 18 and 40 to share their YouTube video recommendations, making up a curtain of information overload.

Next to that, Tara O‛Conal’s video installation was a film sequence — but the catch is, nothing really happened. The film continued to load, glitch, and reload, perhaps suggesting commentary on our constant yearning for contact.

Hayfa Al-Gwaiz’s “Long Distance” is a painted form of FaceTime video calls. The work explores digital intimacy by centering not the callers’ faces, but the ceilings above them. (Supplied)

“Compared to Anhar’s work, (Tara’s) feels like a pawn, in a way, to look at,” Sultan said.

Some works were inspired by computer graphics. Asaad Badawi paid tribute to early programmer culture via telephone-book-inspired art, and his father, who is a programmer.

Madhawi Al-Gwaiz's works are painted in a graphic style that is reminiscent of early 00s and '10s graphics styles. (Supplied)

Studio bin Hattan, which is led by artist Elham Dawsari, displayed “Cultural Override,” derived from her father’s archives from the 1980s. Madhawi Al-Gwaiz paints in a style that echoes digital graphics from the early 2000s.

Others took a more distanced approach. ThirdSpace’s “Untitled Table” was a physical object, but the research behind it was about keyboards that then shifted to Hijazi architecture, drawing on the iconography and architectural languages across the history of the region.  

Tara O‛conal’s video installation is a film sequence in nature—but the catch is, nothing really happens. The film continues to glitch and reload, perhaps suggesting commentary on our constant yearning for contact. (Supplied)

Hayfa Al-Gwaiz’s “Long Distance” was a painted form of facetime video calls. The work explored digital intimacy by showcasing not the callers’ faces, but the ceilings above them — a scene that’s familiar to anyone who has taken up a long-winded video call with a loved one and set down the phone to cater to life’s more immediate demands.

While the exhibition tackled the digital boom personified through cybercafes, it notably avoided artificial intelligence.

Sultan explained: “It is the idea of being fast and efficient, which is what we are resisting with AI …  It’s dominating the internet in a weird way, and we wanted a space where people customized things manually, going back to montadayat (domains) where people had to do things by themselves. There’s no template.”

The last piece was by Ahaad Alamoudi, and “Land of Dreams” took a humorous approach to directing audiences to their dreams. As you walked toward the work, in an outdoor area outside the confines of the exhibition space, visitors were met with foam boards of the iconic Emirati singer Ahlam.

Sultan said: “The work accentuates the fact that the dream land is a subjective experience or idea, and everyone would have their own imagination of what that is, whether it's Ahlam or something else.”

The “Internet Cafe” was a love letter to a new digital age — one that is sustainable, communal, and deliberately slow.  

“This is our way of keeping in touch with other people. An exhibition space is also a space where people meet, even if it’s for a moment, to have these conversations together, which is really important,” Sultan said.

 


Rooted in earth: Rafha’s mud structures tell a story of sustainability

Updated 28 June 2025
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Rooted in earth: Rafha’s mud structures tell a story of sustainability

  • The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds

RIYADH: In the heart of northern Saudi Arabia, the mud buildings of Rafha stand as “a vibrant narrative of traditional architecture, reflecting authenticity, creativity, and cultural identity,” the Saudi Press Agency said in an article on Saturday.

These structures tell the story of an ancient past, “embodying traditional architectural ingenuity that connects people to the land.”

Rafha’s historic mud structures are an appealing destination for anyone interested in history, heritage, and traditional craftsmanship. (SPA)

Located along one of the Kingdom’s most significant tourist routes, the buildings “integrate cultural heritage with the natural environment,” the SPA wrote, and “serve as living records of generational memory, preserved through architectural details.”

This makes them an appealing destination for anyone interested in history, heritage, and traditional craftsmanship.

FASTFACTS

• The buildings in Rafha were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds.

• Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value.

The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds. Their design responds to the local environment, maintaining balanced indoor temperatures during scorching summers and cooler winters. Most feature an inner courtyard, surrounded by rooms arranged in a circular layout, reflecting a strong sense of community.

Rafha’s historic mud structures are an appealing destination for anyone interested in history, heritage, and traditional craftsmanship. (SPA)

These mud buildings illustrate “a deep harmony between humans and their environment,” the SPA wrote, adding that they also “reflect sustainable building principles that long predate modern green architecture.”

Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value while promoting them as distinct parts of the Saudi tourism landscape.

 


Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award

Updated 28 June 2025
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Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award

  • Tawfiq Al-Rabiah Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim

KUALA LUMPUR: Saudi Arabia’s Minister of Hajj and Umrah Tawfiq Al-Rabiah received the International Tokoh Ma’al Hijrah 2025 award in Malaysia on Friday, the Saudi Press Agency reported.

Malaysia grants the award — the name of which translates to Person of the Year for Hijrah — annually to an influential Muslim personality to recognize their contributions to Islamic causes.

Al-Rabiah won the award for his efforts in developing systems designed to make Hajj and Umrah run safely and smoothly for pilgrims.

Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim. Malaysian Prime Minister Anwar Ibrahim and Minister of Religious Affairs Mohammed Naeem bin Mukhtar were present at the ceremony.

The event was held in Kuala Lumpur on the occasion of Hijri New Year.

 


Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank

Updated 28 June 2025
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Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank

  • Organization describes actions as part of wider pattern of settler aggression

RIYADH: The Muslim World League on Saturday strongly condemned recent Israeli attacks on civilian shelters and ongoing violence against Palestinians in the Gaza Strip and the West Bank, the Saudi Press Agency reported.

The MWL has described the actions as part of a wider pattern of settler aggression carried out with impunity under the protection of the Israeli occupation forces, the SPA added.

The MWL’s Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa, who also chairs the Organization of Muslim Scholars, denounced in a statement issued by the MWL’s General Secretariat what he called “heinous crimes” committed against unarmed civilians, including recent attacks by settlers on the village of Kafr Malik, east of Ramallah.

He added that the “brutal assaults” were a “blatant violation of all human values as well as international laws and norms.”

He urged the international community to uphold its legal and moral responsibilities and take decisive action against what he described as the occupation government’s ongoing disregard for the rights and dignity of the Palestinian people.

Al-Issa also called for the immediate activation of international mechanisms to halt the violence and ensure accountability for those responsible for what he termed “horrific massacres.”

His comments came after Saudi Arabia’s Foreign Ministry issued a statement on Friday condemning the violence, denouncing “the continued violence perpetrated by Israeli settlers, under the protection of the occupation forces, against Palestinian civilians, including the attacks in the village of Kafr Malik.”