Gaza-based artist Reem Harazin’s threads of resilience 

Gaza-based artist Reem Harazin’s threads of resilience 
A model, left, shows off apparel designed by Gaza-based Palestinian artist Reem Harazin, right. (Supplied)
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Updated 26 September 2024
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Gaza-based artist Reem Harazin’s threads of resilience 

Gaza-based artist Reem Harazin’s threads of resilience 
  • The designer and artist discusses ‘Native,’ her new fashion collection 

DUBAI: Amid the ruins and chaos of Gaza, artist and designer Reem Harazin continues to weave the vibrant threads of Palestinian history into her work.  

Her latest project, “Native” — a collaboration with the lifestyle brand Palestinian Hustle, is more than a collection of garments, it is an intricate portrayal of her people’s past and present, drawing on motifs that reflect and highlight the essence of Palestinian culture. 

“Every element represents a unique facet of Palestinian history and civilization, woven together to form a vibrant narrative,” she tells Arab News. “These elements are inseparable, like the threads of a tapestry, intertwining to tell a continuous story that stretches from the past to the present.” 




Her latest designs depict Palestine as it was before the 1948 occupation. (Supplied)

Her latest designs depict Palestine as it was before the 1948 occupation, showing cities unmarred by checkpoints or settlements, where people moved freely from the river to the sea.  

The outer border of the “Native” T-shirt and hoodie line mirrors the walls of Jerusalem, while olive leaves like those in the pattern of the Keffiyeh — used to symbolize strength and resilience — form the inner frame.  

Within the word “Native,” a fishnet pattern represents Palestinian heritage. The map of Palestine is laced with barbed wire to signify the barriers of separation across the country, alongside the keys of return held by Palestinian families and the Palestinian Liberation peace hand below.  

To Harazin, the cultural elements reflected in her work are just a small part of the Palestinian people’s deep-rooted history, which she describes as being “as complex and interconnected as the branches of a tree.”




Within the word “Native,” a fishnet pattern represents Palestinian heritage. (Supplied)

 

She continues: “These roots are deeply embedded in the land, passed down from one generation to the next, carrying the Palestinian story forward.”  

Behind the beauty of Harazin’s designs lies the harsh reality of survival in Gaza. The ongoing conflict has left her and countless others with an ever-present sense of danger.  

“There’s no safe place here, not even in our own homes. Death is always lurking, a shadow that could swallow us whole in an instant,” she says.  

Just days ago, she was injured while trying to escape a fresh round of violence. “It was a small injury, but it felt like a symbol of the chaos and fear we live with every day.” 

Despite the constant turmoil, Harazin has found solace in her art. 

“Art has been a lifeline for me,” she says. “Whenever war breaks out, I turn to drawing. It helps me process the fear, the pain, the constant barrage of negative thoughts. It’s a way to express what words can’t. It helps me remember who I was before the war; before everything changed.” 

Harazin recalls picking up a pencil for the first time as a child, playing on the streets of Gaza. From those early, messy scribbles to the drawings that now capture her life story, art has always been an integral part of her life. 

“I can still picture my first drawing — a strong Palestinian woman wearing traditional clothes and standing tall like a symbol of resistance. And next to her, always, was the map of our homeland, the place we dreamed of being free,” she says. That image — the strong Palestinian woman — remains a recurring theme in Harazin’s work today. 

Her designs also use the rich, ancient patterns of traditional Palestinian clothing, known for bold reds, intricate embroidery, and symbols of resilience.  

For Harazin, the connection between art and resistance is undeniable.  

“Art is our voice, our way of saying, ‘We’re here. We matter,’” she says. “When words fail us, art speaks for us. It shows our pain, our struggles, and our unwavering spirit. Even in the darkest of times, art reminds us that there’s still beauty in the world.” 

As the conflict intensifies, leaving Gaza has become nearly impossible for Harazin. She had planned to flee to Egypt, but the closure of the Rafah crossing and ongoing military operations in the area have eliminated that possibility. 

“Our fate remains uncertain, and we don’t know what the future holds. All we can do is hope and pray,” she says. “In the darkest of times, we cling to our faith. It’s the only thing that keeps us going.” 


Madinah exhibition showcases local heritage, crafts 

Madinah exhibition showcases local heritage, crafts 
Updated 15 July 2025
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Madinah exhibition showcases local heritage, crafts 

Madinah exhibition showcases local heritage, crafts 
  • Three-day event, which ended on Tuesday, is among several Year of Handicrafts initiatives launched by the Ministry of Culture
  • Elements of heritage were embodied in palm-based crafts including baskets, incense burners, and decorative pieces

RIYADH: The “Arts Telling Stories” exhibition in Madinah showcased the nation’s culture and history through authentic handicrafts.

The three-day event, which ended on Tuesday, is among several “Year of Handicrafts” initiatives launched by the Ministry of Culture, the Saudi Press Agency reported.

The exhibition featured a diverse collection of handcrafted creations reflecting the identity of the local community. 

Elements of heritage were embodied in palm-based crafts including baskets, incense burners, and decorative pieces, illustrating the historical bond between people and the environment.

The event also showcased wooden artworks, including decorated boxes, vases, and household items crafted with techniques blending traditional sensibility and modern innovation.

It featured pottery pieces inspired by folk art, drawing from the colors and landscapes of the region’s geography, the SPA reported.

The exhibition reflects the ministry’s efforts to promote traditional arts, foster community awareness, and encourage young people to connect with their cultural roots.


Jessica Kahawaty’s cookbook receives celebrity nod of approval

Jessica Kahawaty’s cookbook receives celebrity nod of approval
Updated 15 July 2025
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Jessica Kahawaty’s cookbook receives celebrity nod of approval

Jessica Kahawaty’s cookbook receives celebrity nod of approval

DUBAI: Lebanese Australian duo, model Jessica Kahawaty and mother Rita, have launched their own cookbook — with no less a person than Hollywood actress and producer Courteney Cox providing a cover quote.

Kahawaty and her mother are the minds behind UAE-based food delivery business Mama Rita and the book, “Mama Rita: Family recipes from the Mediterranean,” is now available for pre-order ahead of its release in September.

It is endorsed by Cox, who says it is “a must-have for anyone who is passionate about cooking and loves food as much as I do.”

Writing on Instagram on Monday, Kahawaty said: “The moment we held the Mama Rita cookbook in our hands for the very first time … after two years of pouring our hearts into it. And we’re beyond thrilled to share a special surprise on the cover — a quote from the one and only (Courteney Cox). Her iconic role as Monica in ‘Friends’ — the talented chef, perfectionist, and loving control freak — mirrors so much of the dynamic between mum and me. And her true persona is even more beautiful, warm, and generous.

“Years of love, passion, late nights and so many memories. It’s all finally coming to life just as Mama Rita turns five this September,” she added.

Kahawaty is on an entrepreneurial roll, having launched jewelry brand Kahawaty Jewels alongside her father, master jeweler Ghassan Kahawaty, in May. Based in Dubai, it continues the family’s long-standing tradition of jewelry craftsmanship.

“I grew up watching my father in his jewelry trade. I saw how happy he made people when he created these beautiful pieces,” Kahawaty told Arab News. “I’ve always wanted to continue my father’s legacy and my grandfather’s trade. I felt like this is the perfect time to launch Kahawaty Jewels in Dubai, which is a city I’ve been in for over 13 years.”

For Jessica, building the brand with her father has been a meaningful journey.

“He’s the only man I trust when it comes to diamonds and jewelry. He has an impeccable eye for detail and quality. He has the most incredible craftsmanship. I learned so much from him and launching this with my father feels like a true partnership,” she said.


Haql Summer Festival boosts tourism, economy

Haql Summer Festival boosts tourism, economy
Updated 14 July 2025
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Haql Summer Festival boosts tourism, economy

Haql Summer Festival boosts tourism, economy
  • Festival offers a wide range of attractions, including an amusement park with electric and inflatable rides
  • Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience

JEDDAH: With schools on summer holiday, children and parents are embracing a season of relaxation, exploration, and entertainment.

From coastal getaways to mountain retreats, families across Saudi Arabia are making the most of summer with fun, adventure, and unforgettable memories.

The Haql Summer Festival, being held at Prince Fahd bin Sultan Park, runs until mid-September. It offers a wide range of attractions, including an amusement park with electric and inflatable rides, a family seating area, and an open-air theater featuring traditional performances, competitions, and daily prizes.

Visitors can also enjoy restaurants, shopping, and essential services, ensuring a well-rounded experience, the Saudi Press Agency reported.

The festival aims to boost tourism in Haql, stimulate the local economy, increase commercial activity, and create job opportunities, positioning the region as a unique and attractive destination.

Haql, located in northwest Saudi Arabia in the Tabuk region and overlooking the Gulf of Aqaba, boasts clear views of several neighboring countries’ coastlines.

The festival is part of the Saudi Summer program, which runs until September and showcases the Kingdom’s diverse tourism offerings — from mountains and beaches to international events and exclusive deals, catering to all travelers.


Miniature model helps bring Saudi history to life

Miniature model helps bring Saudi history to life
Updated 14 July 2025
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Miniature model helps bring Saudi history to life

Miniature model helps bring Saudi history to life
  • Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time
  • Artist and craft trainer Abdullah Al-Khazam, a native of Hail, presented a clay model of the ancient commercial area of Hail city at the event

RIYADH: The Beit Hail Festival, which runs until July 29, is showcasing unique works which reflect the region’s rich historic archaeological legacy, the Saudi Press Agency has reported.

Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time, highlighting the details of daily life and the beauty of historic architecture.

Artist and craft trainer Abdullah Al-Khazam, a native of Hail, has presented a clay model of the ancient commercial area of Hail city at the event.

The model has attracted the attention of thousands of visitors and illustrates the techniques used to craft such works, enriching the festival’s depiction of the Kingdom’s heritage.

Al-Khazam based the model on historic sources, using precise measurements and conducting field visits. He also consulted historians, researchers, and elderly residents for accuracy.

The model features key landmarks, including Barzan Palace, a mosque, the commercial square, and various government offices, the SPA added.

Built with traditional materials such as clay and palm trunks, the model uses classic construction techniques and incorporates period ornaments and engravings, effectively recreating the city center of the past.


The UK’s longest-running Arab arts festival returns 

The UK’s longest-running Arab arts festival returns 
Updated 14 July 2025
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The UK’s longest-running Arab arts festival returns 

The UK’s longest-running Arab arts festival returns 

DHAHRAN: The Liverpool Arab Arts Festival, or LAAF, the UK’s longest-running annual celebration of Arab arts and culture, returns this month with a theme that feels both timely and timeless: “Nostalgia.”

Now two decades in, the festival has grown from grassroots beginnings into an internationally recognized celebration.

Running through to July 20, this year’s program explores how memory, heritage and longing shape artistic expression across the Arab world and its diasporas. 

The dynamic, bilingual line-up spans film, music, literature, performance, food and family activities — all underscored by deeper reflections on identity, loss and cultural continuity.

Arab News spoke with Taher Qassim, originally from Yemen, who founded LAAF in 1998 as a community-led effort to foster cultural pride and preserve Arab identity in Liverpool.

“The theme of ‘nostalgia’ is a reflection of both how far we’ve come and where we began,” Qassim said. “Twenty-three years ago, we set out on a path that was uncertain but filled with excitement and purpose. We knew we wanted to create something that represented the Yemeni and Arab presence in Liverpool, but we didn’t yet know how to express it.”

What began as a handful of cultural activations has since evolved into a platform for Arab artists. “From those humble beginnings … the festival began to blossom,” he said. “Today, we proudly offer a platform to artists from across the Arab world, Europe, the US, and beyond — something we could only have dreamed of.”

Two events stand out for him: ‘Arabs Are Not Funny’ and ‘The Book of Sanaa.’ The former, he says, “directly challenges the long-held stereotype that Arabs lack a sense of humor. It’s refreshing, bold and liberating — exactly what the festival stands for.”

The latter brings together literature, poetry, food, and a model of Yemen’s historic capital.

“The richness of this event would’ve felt like a fantasy to us two decades ago. Now, it’s a reality — something we’ve made possible through years of dedication and community.”

Qassim, who was awarded an MBE (Member of the Order of the British Empire) in 2008 for services to community cohesion, handed over the festival’s leadership to his daughter, Afrah, who now steers LAAF with the same vision and care.

Today, LAAF is no longer seen solely as a festival for the Arab community. “That perception has shifted dramatically,” Qassim said. “People from all backgrounds and ages attend and engage. The festival has become a space for dialogue, curiosity and connection.” As he put it, “Conversations happen naturally — before, during and after events.”

One event he hopes visitors will not miss is the now-iconic “Family Day” at the Palm House in Sefton Park. “It’s become the signature event of the Liverpool Arab Arts Festival — our legacy day,” he said. “Families travel from across the UK, Europe, and even further afield to be part of it. The atmosphere is joyful, welcoming, and truly inclusive … a vibrant, heartwarming celebration of Arab culture at its best.”

Some events require tickets, but “Family Day” — an afternoon of music, crafts, performances and community — is the grand finale and free to all.