Will truth become a casualty of the Israel Gaza war?

The tower was home to the offices of Associated Press, the American news agency, the Qatar-funded Al-Jazeera media network and local news outlets. (AFP)
Short Url
Updated 18 May 2021
Follow

Will truth become a casualty of the Israel Gaza war?

  • Israeli government under fire over destruction of building that housed offices of AP and other media outlets
  • Attack in Gaza City is the latest in a long line of events when the media has found itself in the line of fire

DUBAI: Amid the scenes of horror and human suffering unfolding in the Gaza Strip in recent days, one series of images stands out.

Shortly after 3 p.m. local time on Saturday, a salvo of rockets fired by Israeli drones struck a high-rise in central Gaza City. Five minutes after that first strike, heavier missiles fired by Israeli fighter-bombers slammed into the 12-story building, witnesses said, causing the structure to collapse in a cloud of dust and debris.

Israel has flattened other buildings in Gaza over the past week — just as it did during its 2014 ground incursion — and destroyed tunnels and houses said to be used by leaders of Hamas, the Palestinian group that controls the territory. But this attack was different.

The tower was home to the offices of Associated Press, the American news agency, the Qatar-funded Al-Jazeera media network and local news outlets.

In a tweet, the Israeli Defense Forces (IDF) said it was “striking Hamas weapons hidden inside civilian buildings in Gaza,” but the claim has yet to be proven. The AP said it had “no indication” Hamas was in the building, something which would have been “actively checked” so as not to put journalists at risk.




Last week’s events in Gaza are hardly the first time that the media has found itself in the line of fire during a Middle East conflict. (AFP)

The AP also said a dozen of its staff members and freelancers were in the building at the time of the IDF warning. All seem to have escaped unhurt. Al-Jazeera has also reported no casualties although it says valuable equipment and footage have been lost.

Information warfare has long been at the heart of the Israel-Hamas conflict. Both sides understand that powerful and simple imagery and story-telling can sway international opinion in a way that months of formal diplomacy or conventional military action cannot. Often outcomes are contested, while underlying events and motivations are hard to discern, emerging only after months and years of inquiry.

That said, last week’s events in Gaza are hardly the first time that the media has found itself in the line of fire during a Middle East conflict. In 2019 a US court found Syrian President Bashar Assad’s government liable for the death of American war correspondent Marie Colvin, 56, in February 2012 in the besieged city of Homs. She and French photographer Remi Ochlik, 28, died when the building they were in was shelled.

In 2003, a shell fired by an American tank at the Palestine Hotel in Baghdad killed two journalists, a Reuters cameraman and a Spanish television anchor. The hotel had been a favorite of journalists and media personnel covering the US-led invasion.

Then there was the 2010 Gaza Freedom Flotilla incident, when six boats manned by mainly Turkish pro-Palestinian supporters tried to sail to the Gaza Strip, only to be stopped at sea by abseiling Israeli commandos.

The activists were trying to illustrate that Gaza was (and is) closed to the outside world, that Israel controls access and that Palestinians living in the territory are under siege with few, if any, economic opportunities. The activists claimed to be simple humanitarians, albeit ones supported by professionally equipped TV crews and other media.

Israel said that hard-liners intent on confrontation had joined the more peaceful protesters. These agitators massed on one of the six boats and sparked the ensuing violence by trying to seize soldiers’ weapons. At least nine people died in the incident.
To Israel’s supporters, the actions of the commandos showed military skill and bravery.

To detractors they came across as trigger-happy troops intent on defending an illegal blockade.

On this latest occasion, Israel said that along with the journalists and residents who lived there, the high-rise in Gaza City also housed a Hamas intelligence unit. Israel often accuses Palestinian militants of using civilians and civilian buildings as shields for their activities.

“It is a perfectly legitimate target,” Israeli Prime Minister Benjamin Netanyahu said on Sunday in the wake of the tower’s destruction. Defenders of his stand quickly pointed to an article by Matti Friedman, a former AP journalist, published in The Atlantic magazine in 2014 after Israel’s bloody incursion into the Gaza Strip. Friedman wrote that he had seen that the building was also being used by Hamas.

“Hamas understood that reporters could be intimidated when necessary and that they would not report the intimidation. The AP staff in Gaza City would witness a rocket launch right beside their office, endangering reporters and other civilians nearby — and the AP wouldn’t report it, not even in AP articles about Israeli claims that Hamas was launching rockets from residential areas,” Friedman wrote.


That interpretation is contested — strongly. AP President and CEO Gary Pruitt said in a statement on Sunday that his agency had operated in the Al-Jalaa Tower for 15 years. “We have had no indication Hamas was in the building or active in the building,” he said, adding: “We would never knowingly put our journalists at risk.”

The building’s other tenant, Al-Jazeera, has long been the Israeli government’s bete noire. In 2017, Israel said it was banning the news organization on the grounds that it was too close to Hamas.

At the time, Avigdor Lieberman, then Israeli defense minister (and a political hard-liner), described some of the outlet’s coverage as “Nazi Germany-style” propaganda. Other Arab states have often accused the TV station of propagating the views of Qatar as well as the Muslim Brotherhood, which is close to Hamas.

Al-Jazeera’s defenders say that the channel tells the story from both sides of any conflict and takes care to obtain comments from spokespeople in Israel. It has also pioneered coverage in previously obscure and dangerous locations, such as Gaza and Afghanistan, and provides a voice for those previously neglected.

The truth, according to Al-Jazeera’s supporters, is that the nationalist Israeli government, led by Netanyahu, is trying to suppress inconvenient truths and deflect attention from its own activities such as settlement building, which almost all of the international community views as illegal.




What the world does know is that journalists have often been caught in the crossfire, both literal and metaphoric, of these divergent views. (AFP)

However, speaking to Arab News on the condition of anonymity, a former Al-Jazeera journalist said: “If anyone has followed Al-Jazeera’s coverage of Middle East upheavals through the decades, be it the Iraq invasion and insurgency, the overthrow of Egypt’s Islamist government or Israel’s wars with Hamas and Hezbollah, they will be in no doubt about the network’s editorial agenda.

“During the US-led invasion and occupation of Iraq, this overtly hostile approach of a TV network financed by a strategic ally left US administration officials so frustrated, angry and powerless that President George Bush reportedly considered bombing Al-Jazeera’s headquarters in Doha in 2004.

“Israeli officials probably experience the same disappointed rage at the network’s aggressive coverage every time conflict erupts in Gaza, which could well be the reason behind incidents like the attack on the high-rise — unless, in each case, the Israeli government knows something that the rest of the world doesn’t know.”

What the world does know is that journalists have often been caught in the crossfire, both literal and metaphoric, of these divergent views.

The Palestinian Center for Development and Media Freedom, a think tank, claims that between 2000 and September 2018, Israel killed 43 journalists in the West Bank and Gaza. And on Monday, Ignacio Miguel Delgado Culebras, the Middle East and North Africa representative of the Committee to Protect Journalists (CPJ), said that over the past week the CPJ has documented the bombing of three buildings housing 15 media outlets.

“Local journalists have also been injured covering the airstrikes and many lost their equipment in the bombed outlets. Journalists are also being hurt and arrested while covering protests in the West Bank. There is no indication that these violations of press freedom will subside any time soon,” Culebras said in a statement to Arab News.

“The IDF had known the locations of the buildings and warned residents to evacuate shortly before the airstrikes. They also claim that those buildings housed Hamas intelligence and military offices or some sort of Hamas’ presence, even though AP has said that they had no indication of such presence.

“These bombings and the fact that no foreign journalists are being allowed in Gaza raise the suspicion that Israel is trying to prevent coverage of the airstrikes and military operations in the Gaza Strip.”

Finally, some experts say, events in Gaza and elsewhere in the West Bank and Israel illustrate the growing dangers to journalists operating in conflict zones where front lines are often difficult to discern.

According to Aidan White, founder of the Ethical Journalism Network, the destruction of media assets in Gaza City is serious but by no means unusual. “If one looks back over the past 25 years, the targeting of media institutions and journalists themselves has increased dramatically,” he told Arab News.

This is happening “not least because the capacity of the media to report from war zones — and to be able to report wrongdoing and inappropriate behavior or war crimes — is greatly enhanced, and changing technology has had a lot to do with it.”

The phrase “truth is the first victim of war” could not ring more true now amid Israel’s campaign in Gaza. But then again, the truth rarely is told during times of war. History is written after the battles have taken place, the truces are signed and the fighting has ended.

It is the facts gleaned during moments of crisis and violence that are pivotal to this writing of history.

Twitter: @rebeccaaproctor


Media watchdog says journalists should be allowed to cover college protests safely

Updated 13 sec ago
Follow

Media watchdog says journalists should be allowed to cover college protests safely

  • Journalists said they have been barred from reporting on events

LONDON: Media watchdog Committee to Protect Journalists has called on authorities to allow journalists covering US college protests to do so “freely and safely.”

“Journalists — including student journalists who have been thrust into a national spotlight to cover stories in their communities — must be allowed to cover campus protests without fearing for their safety,” said Katherine Jacobsen, the CPJ’s US, Canada and Caribbean program coordinator.

“Any efforts by authorities to stop them doing their jobs have far-reaching repercussions on the public’s ability to be informed about current events.”

Tensions have escalated between pro-Palestinian demonstrators and law enforcement during recent protests at universities across the US.

On Tuesday night, New York police equipped with anti-riot gear forcibly entered Columbia University’s Hamilton Hall, a focal point of the protests, resulting in the arrest of approximately 300 pro-Palestinian students.

Meanwhile, student journalists at the University of California in Los Angeles reported being assaulted and exposed to gas during violent clashes. In Northern California, local journalists covering college demonstrations were detained and arrested by police.

The CPJ said at least 13 journalists had been arrested or detained since the start of the Israel-Hamas war on Oct. 7 and 11 have been assaulted while covering related protests in the US. 

Those arrested include FOX 7 reporter Carlos Sanchez, who was shoved to the ground last month while covering a protest at the University of Texas in Austin. He is currently facing two misdemeanor charges.


Universal Music Group artists to return to TikTok after new licensing pact

Updated 02 May 2024
Follow

Universal Music Group artists to return to TikTok after new licensing pact

  • New deal to restore label’s song to platform, increase artists’ protection from AI
  • Universal Music says TikTok accounts for 1 percent of its annual revenue in 2023

LONDON: Universal Music Group and TikTok said on Thursday they had reached a new licensing agreement that will restore the label’s songs and artists to the social media platform as well as give musicians more protections from artificial intelligence.
TikTok began removing Universal’s content from its app after their licensing deal expired in January and the two sides failed to reach agreement on royalties, AI and online safety for TikTok’s users.
Describing their new pact as a multi-dimensional deal, the companies said they were working “expeditiously” to return music by the label’s artists to TikTok, and also said they would team up to realize new monetization opportunities from TikTok’s growing e-commerce capabilities.
They will “work together on campaigns supporting UMG’s artists across genres and territories globally,” the two firms said in a joint statement.
The short video app is a valuable marketing and promotional tool for the music industry. TikTok is where 16- to 19-year-olds in the United States most commonly discover music, ahead of YouTube and music streaming services such as Spotify , according to Midia Research.
“Roughly a quarter of US consumers say they listen to songs they have heard on TikTok,” said Tatiana Cirisano, Midia’s senior music industry analyst.
However, Universal Music claimed its artists and songwriters are paid just a fraction of what it receives from other major social media platforms.
The music label says TikTok accounts for 1 percent of its annual revenue or about $110 million in 2023. YouTube, by contrast, paid the music industry $1.8 billion from user-generated content in the 12 months ending in June 2022, according to Midia.
In a move that may well have eroded its bargaining power, Taylor Swift, one of Universal Music’s biggest acts, allowed a selection of her songs to return to TikTok as she promoted her latest album, “The Tortured Poets Department.”
Swift owns the copyrights to her recordings through her 2018 deal with Universal and can control where her songs are available, according to the Financial Times.
As licensing negotiations resumed in recent weeks, AI remained a major point of contention. Universal has claimed TikTok is “flooded” with AI-generated recordings, including songs that users create with the help of TikTok’s AI songwriting tools.
In Thursday’s deal, TikTok and Universal said that they would work together to ensure AI development across the music industry will protect human artistry and the economics that flow to those artists and songwriters.
“TikTok is also committed to working with UMG to remove unauthorized AI-generated music from the platform, as well as (developing) tools to improve artist and songwriter attribution,” the statement said.
Concerns about AI have grown in the creative community. In April, a non-profit group called the Artist Rights Alliance published an open letter urging the responsible use of the technology. The group of more than 200 musicians and songwriters called on technology companies and digital music services to pledge not to deploy AI in a way that would “undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”
The deal comes amid questions over TikTok’s long-term future in the United States. President Joe Biden signed legislation last week that gives TikTok’s Chinese owner, ByteDance, 270 days to sell its US assets. TikTok has vowed to file suit to challenge the legislation, which it calls a ban.
More than 170 million Americans use its video service, according to TikTok. Globally, it has more than 1.5 billion monthly active users, according to research firm Statista.


Comedian Stephen Colbert defends pro-Palestine college campus demonstrators after Trump attack

Updated 02 May 2024
Follow

Comedian Stephen Colbert defends pro-Palestine college campus demonstrators after Trump attack

  • Comedian said protests should be allowed to continue as long as they are peaceful
  • Trump claimed 2017 white nationalist rally in Charlottesville was ‘nothing’ in comparison to pro-Palestine college protests

LONDON: American comedian Stephen Colbert has defended pro-Palestinian college campus demonstrators, countering recent criticism from former President Donald Trump.

Last week, Trump likened the student rallies to the 2017 white nationalist rally in Charlottesville, Virginia, claiming the latter was “nothing” in comparison.

On his “Late Show” segment, Colbert expressed solidarity with the protestors who are urging their institutions to cut ties with companies profiting from the conflict in Gaza.

The host said that peaceful protests “should be allowed,” rebuking Trump for “downplaying one of the darkest chapters in American history.”

He added: “Now even if you don’t agree with the subject of their protests, as long as they are peaceful, students should be allowed to protest. It’s their First Amendment right.”

The former “The Colbert Report” star criticized the response of both university officials and law enforcement to recent events at Columbia University, denouncing the use of heavily armed police and threats to call in the National Guard as a “classic de-escalation tactic.”

Trump, however, praised law enforcement’s handling of the situation, commending New York City’s police force.

Colbert’s remarks coincided with the deployment of riot police at Columbia University’s Hamilton Hall, resulting in the arrest of numerous pro-Palestinian students who had occupied the building.

The raids drew condemnation from advocacy groups such as Jewish Voice for Peace and UN Special Rapporteur Francesca Albanese. New York City’s mayor reported the arrest of 282 students.

Subsequent clashes between pro-Palestinian groups, counter-protestors, and law enforcement erupted at other campuses across the US.

Meanwhile, Brown University in Rhode Island reached an agreement with protesters on Tuesday, marking what appears to be the first time a US college has agreed to vote on divestment in response to the protests.


Like Digital & Partners opens new office in Saudi Arabia

Updated 02 May 2024
Follow

Like Digital & Partners opens new office in Saudi Arabia

  • Digital transformation agency expands with Riyadh premises

DUBAI: Like Digital & Partners, an independent digital transformation agency with offices in Dubai and London, has announced the opening of premises in Riyadh to mark its expansion into the Kingdom.

The move comes a month after the agency partnered with business expansion platform AstroLabs to extend its footprint in the region.

The new office in Riyadh will underscore its commitment to the region, it said in a statement.

Like Digital & Partners aims to create new jobs primarily in the fields of project management and user interface design. It plans to employ 10 to 15 staff members at its Riyadh office by the end of 2025.

Specializing in the hospitality industry, the agency has worked with resorts such as Atlantis and One&Only One Za’abeel. It aims to leverage this expertise and experience in the Kingdom, which is seeing an influx of new hotels and resorts, the agency said.

Karl Escritt, CEO of Like Digital & Partners, said: “As we continue our rapid expansion into the GCC (Gulf Cooperation Council) market and beyond, we are delighted to lay down roots in Riyadh, Saudi Arabia.

“Having dedicated years to nurturing our business in the Kingdom and developing our knowledge and expertise of the market, we are looking forward to further strengthening our ties and servicing new clients.”


Publicis Sapient appoints new managing director for Saudi Arabia

Updated 01 May 2024
Follow

Publicis Sapient appoints new managing director for Saudi Arabia

  • Ashwaq Al-Shathri will be based in Riyadh, oversee company’s business growth in the Kingdom

DUBAI: Publicis Sapient, a digital business transformation company, has announced the appointment of Ashwaq Al-Shathri as country managing director for Saudi Arabia.

The appointment reflects the importance of the Kingdom and the Middle East for Publicis Sapient, the company said.

Based in the company’s Riyadh office, Al-Shathri will be responsible for accelerating business growth in Saudi Arabia and building the operational business and community.

She will lead the teams responsible for digital business transformation in the region, leveraging the company’s strategy, product, experience, engineering and data, and artificial intelligence capabilities.

Nigel Vaz, CEO of Publicis Sapient, said: “We’re committed to supporting KSA’s technology-driven transformation and realization of Vision 2030, while also, ultimately, helping position KSA as a leader in digital innovation on the global stage.”

Al-Shathri’s appointment “will directly contribute to our continued business growth as we scale our expertise in the Middle East to better serve our clients and their customers and help them transform digitally,” said Srinivas Devulapalli, managing director of Publicis Sapient MENA (Middle East and North Africa).

Publicis Sapient is the digital business transformation hub of Publicis Groupe with 20,000 people and over 53 offices worldwide. Its global clients include Marriott, Goldman Sachs, McDonald’s, and Walmart, while regional clients include Omantel, Diriyah Gate, and Miral.